T he Living Composers Project

Bosseur, Jean-Yves (b. February 5, 1947, Paris). French composer of stage, orchestral, chamber, choral, vocal, piano, and multimedia works that have been performed throughout Europe; he is also active as a writer.

Prof. Bosseur studied composition with Henri Pousseur and Karlheinz Stockhausen at the Rheinische Musikschule in Cologne and received his state doctorate in aesthetic philosophy from the Université de Paris.

His honors include the Prix de la Fondation Royaumont (1968, for Un arraché de partout), the Gaudeamus Prijs (1968, for Un arraché de partout) and the Diapason d'or (1998, for the Mandala recording of Messe).

As a writer, he has contributed articles and essays to numerous publications. His books include Révolutions Musicales (1986, revised 2000, with Dominique Bosseur; Minerve), Le paradigme musical d'Albert Ayme (1986, Traversière), Musique, passion d'artistes (1986, Skira), John Cage (1993, Minerve), and Vocabulaire de la musique contemporaine (1996, Minerve). He has also written the books Le temps de le prendre (1997, Kimé), Musique et arts plastiques – interactions au XX^e siècle (1998, Minerve), Chansons de gestes – Musique et calligraphie – Claude Melin (1998, Alternatives), and Morton Feldman, Écrits et Paroles (1998, L'Harmattan). His more recent books are La plume (1999, with Pierre Alechinsky; Actes Sud), Vocabulaire des Arts plastiques du XX^e siècle (1999, Minerve) and Musique et Beaux-Arts – De l'Antiquité à nos jours (1999, Minerve). Moreover, he has written the books Le Son et le Visuel (unknown, Dis-Voir) and Du son au signe (unknown, Alternatives).

Ensembles and orchestras such as Accroche-Note, the Belgian Radio and Television Orchestra, the ensemble 2e2m, Ensemble Aleph, Ensemble Clément Janequin, Ensemble Musique Nouvelle, and Ensemble Musique Vivante have played his music. The Erwartung Ensemble, the Five Centuries Ensemble, the ensemble Itinéraire, the Octuor de France, A sei voci, the ensemble Solars Vortices, and Stradivaria have also performed his works. Numerous soloists have also performed his music, including pianists Jean-Pierre Armengaud, Andrea Cohen, Patrick Dechorgnat, Lydia and Sofia Domancic, Gérard Frémy, Yuri Kot, and Pierre Pontier, accordionist Ángel Luis Castaño, organist Claire Chassin, and saxophonist Jean-Louis Chautemps. Harpsichordist Bertrand Cuiller, violist Alain Dubois, double bassist Joëlle Léandre, viol-players Mathieu Lusson and Marianne Müller, guitarist Jean Mathelin, bagpipers Patrick Molard and Benoît Trémolières, soprano Évelyne Razimovski, and alto Annie Tasset have also performed his works.

He is currently research director at the Conservatoire National de Région de Strasbourg and Professeur de Composition at the Conservatoire de Bordeaux. He also works for Radio France and is a co-founder of the Groupe Intervalles.

CONTACT INFORMATION

E-mail address: bosseur.j@noos.fr

Street address: Prof. Jean-Yves Bosseur, 6 Rue de Bellanger, 92200 Neuilly-sur-Seine, France

Telephone: + 331 4088 3622

Website: http://www.jeanyvesbosseur.net/

COMPLETE LIST OF WORKS

STAGE: Dieu tenté par les mathématiques (opéra panique, libretto by Fernando Arrabal), any 17 players, 1967-68; Bestialité érotique, Une tortue nommée Dostoïevsky (incidental music, play by Fernando Arrabal), 1968; Et ils passèrent des menottes aux fleurs (incidental music, play by Fernando Arrabal), 1969; Le serpent (incidental music, play by Jean-Claude van Itallie), 1970; Jeux de massacre (incidental music, play by Eugène Ionesco), 1971; Triptyques pour Don Juan (scenic mobiles, text by Michel Butor), voice, winds, pianos, strings, 1972, revised 1977; Le cycle de Cuchulain (incidental music, play by William Butler Yeats), 1974; Les aveugles (incidental music, play by Maurice Maeterlinck), 1974; Cléopâtre captive (incidental music, play by Étienne Jodelle), 1974; Le dernière bande (incidental music, play by Samuel Beckett), 1974; Tous les Don Juan (text by Michel Butor), soprano, 2 actors, ensemble, 1974; Buona notte (dance music, choreography by Jean Pomarès), 1974; Chut, chut, chut (incidental music, play by Jean Tardieu), 1975; La métaphysique d'un veau à deux têtes (incidental music, play by S.I. Witkiewicz), 1976; Le prince de Homburg (incidental music, play by Heinrich von Kleist), 1976; Le bourgeois Schippel (incidental music, play by Carl Sternheim), 1977; À suivre (dance music, choreography by Suzanne Colboz), 1978; Spectacle Karl Valentin (incidental music, play by Philippe van Kessel), 1979

STAGE: La voix des pierres (text by Philippe de Boissy), mixed choruses, ensembles, 1979-80; Ella (incidental music, play by Herbert Achternbusch), 1980; Pièces détachées (dance music, choreography by Jean Pomarès), 1980; Les amants du métro (incidental music, play by Jean Tardieu), 1982; Le principe de solitude (incidental music, play by Marc Guyon), 1982; Façade (dance music, choreography by Josiane Rivoire), 1982; Charge Alaire (dance music, choreography by Susan Buirge), 1982; Liberté à Brême (incidental music, play by Rainer Werner Fassbinder), 1983; Le rite du premier soir (incidental music, play by Jean Tardieu), 1983; Titus Andronicus (incidental music, play by William Shakespeare), 1983; Arrêt d'urgence (dance music, choreography by Josiane Rivoire), 1983; La trilogie du revoir (incidental music, play by Botho Strauss), 1984; L'homme au labyrinthe (incidental music, play by Jean-Clarence Lambert), 1984; Perséphone (incidental music, play by Iannis Ritsos), 1986; L'autre (text by Vassilis Alexakis), soprano, actress, clarinet, cello, piano, tape, 1986; La tragédie du vengeur (incidental music, play by Cyril Tourneur), 1987; La fin et la manière (incidental music, play by Jean-Pierre Duprey), 1987; Les estivants (incidental music, play by Maksim Gorky), 1988; D'un territoire inconnu (dance music, choreography by Christine Gérard), 1988

STAGE: L'idéal (incidental music, play by Daniel Lemahieu), 1990; Germania, Mort à Berlin (incidental music, play by Heiner Müller), 1990; Pierres qui rêvent (incidental music, play by Roger Caillois), 1991; Léonce et Léna (incidental music, play by Georg Büchner), 1991; Tartuffe (incidental music, play by Jean-Baptiste Molière), 1992; Le pays entre mer et terre (dance music, choreography by Andrea Gebhardt), 1992; La conquête du pôle sud (incidental music, play by Manfred Karge), 1994; Les deux procès de Gilles de Rais (incidental music, play by Jaromír Knittl), 1994; Le courage de ma mère (incidental music, play by George Tabori), 1995; Weisman et Copperface (incidental music, play by George Tabori), 1996; Le crime de la rue Rousselet, un garçon de chez Véry (incidental music, play by Eugène-Marin Labiche), 1997; Dommage que ce soit une putain (incidental music, play by John Ford), 1998; Lo Speziale (realization of third act of unfinished opera by Franz Joseph Haydn), 1998; Noce (incidental music, play by Elias Canetti), 1999; Vésale (incidental music, play by Patrick Rogiers), 2001

STAGE: Musique pour Mademoiselle Rivière (instrumental music theatre work, after Jirí Kolar), flute, piano, 2002; La Punaise (incidental music, play by Vladimir Mayakovsky), 2002; Donnant donnant (music theatre work, text by Enzo Cormann), 4 mixed voices, flute (+ bass flute), clarinet (+ bass clarinet), 1 or more saxophones, cello, accordion, tape, 2002-03; Camino (music theatre work, text by Olga Jirouskova), 2003; My own Wara (dance music, choreography by Jenny Mezile, Massidi Adiatou), 2003; Allers-retours (incidental music, play by Ödön von Horváth), 2004

ORCHESTRAL: In extremis, 1975, revised 1989; Traverses, 4 flutes, string orchestra, 1982; Ton-Bale, symphonic band, 1985; Eisleriana, symphonic band, 1995; D'une cible l'autre, 1999; Mouvement concertant, piano, string orchestra, 1999; Gendhing Bali, gamelan orchestra, 2001-02; L'Émission de Bordeaux (Philatélie VI), 2003

CHAMBER MUSIC: Le temps de le prendre, any number of players/ensembles, 1967; Un arraché de partout, 4 trumpets, 4 trombones, 2 electric guitars, Hammond organ, vibraphone, xylophone, marimba, 2 percussion, 1967; Surexposer, flute, oboe, clarinet, bassoon, trumpet, trombone, harp, violin, viola, cello, double bass, 1969; Completely sweet, any 8 players, 1971; Mace's Monument, 1-3 lutes, 1972; Alto molto, viola, 1975, revised 1992; Extrêmement, flute, oboe, clarinet, French horn, bassoon, 1975, revised 1992; Labyrinthes, any 7-10 players, 1977; Instants de mémoire, flute, clarinet, violin, cello, piano, 1977-78; Verghia, flute, oboe, clarinet, bassoon, French horn, trumpet, trombone, 1980; Alliages de cuivre, French horn, trumpet, trombone, tuba, 1981; Ballades, recorder, guitar, 1982; By Air, 1 or more saxophones, piano, 1984; Harpia Harpiana, violin, cello, piano, 1985; Traces d'une longue journée, clarinet, harp, violin, cello, 1985; Piazza Marenzio, alto flute, clarinet, French horn, violin, viola, cello, piano, 1985; Tara, string quartet, 1985-86; Icare au carré, oboe, clarinet, bassoon, piano, 1986; Carnet de voyage, flute, clarinet, violin, viola, piano, 1986; Byrdy, bass viol, harpsichord, ancient wind ensemble, viol ensemble, 1986-87; Géographie intérieure, guitar, string quartet, 1987, revised 1996; Stream, accordion, 1988; Pas à pas, clarinet, piano, accordion, 1988

CHAMBER MUSIC: Transit, 4 saxophones, 1984-89; Quinaire, flute, clarinet, violin, cello, piano, 1989; Quatrain, 4 ensembles, 1989; Hong-Kong Variations, flute, clarinet, baritone saxophone, tuba, violin, cello, double bass, 1990; Douces violences, 2 viols, 1990 (collaboration with Christian Rosset); Quatre de chiffre, flute, trombone, piano, accordion, string quartet, double bass, 1990; Portrait de Geneviève Asse, flute/harp, cello, harpsichord, 1991; Variations Dilasser, 1986-92 (each of its nine sections may be performed separately: I-III, clarinet, piano; IV-VI, violin, cello, piano; VII, flute, clarinet, 2 guitars, violin, viola, piano; VIII-IX [Pemzek], flute, clarinet, violin, cello, piano); Deux arches d'alliance, harp, guitar, percussion, 1992; The Very Last Notes from Endenich, accordion, 1992; Patrick's Portrait, bagpipes, 1992; 43 Miniatures, clarinet, saxophone, harp, violin, piano, percussion, 1992; Vocabulaire pour Milan Grygar, any ensemble, 1992; Paysage avec souvenirs, clarinet, harp, cello, 1993; Dix boucles, flute, clarinet, trombone, viola, cello, piano, accordion, 1993; Sans partage, double bass, tape, 1993; En quête de tango, clarinet, alto saxophone, trumpet, trombone, tuba, violin, accordion, 1994; 29 260, variable ensembles, 1994; Vilnant, variable ensembles, 1994-95; L'un et l'autre, piano, percussion, 1995

CHAMBER MUSIC: Octuor, clarinet, bassoon, French horn, string quartet, double bass, 1995-96; Portrait de groupe, flute, clarinet, bassoon, violin, piano, 1996; Éventail pour deux, 2 guitars, 1996; Morty's, flute, 1 or more clarinets, violin, cello, piano, tape, 1996; Treize au carré, violin, viola, cello, piano, 1997; D'après..., flute, oboe, clarinet, trumpet, trombone, string quartet, double bass, piano, 1997; Duo, oboe, bassoon, 1997; All over, 6 percussion, 1996-98; Folia, baroque string quartet, 1995-99; Trio, violin, viola, cello, 1996-99; Patchwork, bass flute, clarinet, bassoon, trumpet, trombone, violin, viola, cello, double bass, piano, percussion, 1998-99; O.D. (Portrait d'Olivier Debré), ensemble, 1999; VDBCV, French horn, harp, guitar, harpsichord, percussion, 1999; Finnegans Tune, uilleann pipes, tape, 2000; Sextuor, 2 violins, 2 violas, 2 celli, 2000; Philatélie II – Gabon, piano, accordion, 2002; Philatélie III – Diego-Suarez, Nossi-Bé, Zanzibar, 1 or more clarinets, 1 or more saxophones, trumpet, trombone, accordion, percussion, 2002; G-B n° 26 (Philatélie IV), bass recorder, piano, 2002; Philatélie VII (Congo), bass clarinet, basset horn, piano, 2003

CHAMBER MUSIC: De part et d'autre, accordion, 2001-04; Diptyque, 1 or more harps, 2004; Delta, 3 percussion, 2004; Ton sur ton, violin, 2004; Miles Away, trumpet, piano, 2004; Entre deux n° 2, guitar, violin, 2004; Lhassa dans le lointain, contrabass clarinet, cello, 2004; Croisées, flute, clarinet, theorbo, violin, viola, 2004; De l'un à l'autre, 2 percussion, 2005; Trompette puissance quatre, 4 trumpets, 2005

CHORAL: Anna Livia's Awake (text by James Joyce), vocal ensemble, 1975; Visages de Grenoble et du Dauphiné, mixed choruses, variable ensembles, 1977-78; Madrigal, 4 female voices, 1987; Marna (text by Yvon Le Men), speaker, mixed chorus, ensemble, 1987; Trans-Europe, mixed choruses, variable ensembles, tape, 1987-88; Photophonies d'Ardècle (la plume), mixed choruses, variable ensembles, 1989-90; Messe, countertenor, tenor, baritone, 2 bass-baritones, mixed chorus, flute, clarinet, viola, viola da gamba, double bass, organ, 1994-95; Sens obliques, 8 mixed voices, 1995; Jumelages, mixed choruses, variable ensemble, 1995; Chants du Labyrinthe (text by Michel Butor), 6 mixed voices, trombone, organ, 1999; Paroles de labyrinthes, 6 mixed voices, 2000; Les 33 baignoires, Les larmes fertiles, voice, speaker, any number of children's choruses, any number of choruses, 2001; Périples, 2 sopranos, 2 mezzo-sopranos, 2002

VOCAL: Alleanze, soprano, tenor, baritone, 4 trumpets, 4 trombones, 3 violas, cello, double bass, 1972; Four Imaginary King's Musicians, soprano, countertenor, cello, harpsichord, 1973; Quelques pages du Livre des Questions (text by Edmond Jabès), soprano, flute, clarinet, French horn, trumpet, trombone, violin, viola, cello, piano, 1979; Satie's Dream (text by Kenneth White), soprano, clarinet, trombone, cello, piano, accordion, 1980-81; Portrait d'Albert Ayme (text by Michel Butor), soprano, clarinet, trombone, viola, piano, accordion, 1980-81; I Jovannali (text by Henry Mary), voice, ensemble, 1980-81; Bing (text by Samuel Beckett), mezzo-soprano, speaker, bass flute, bass clarinet, cello, 1980-81, revised 2000; The Sun-Moon Sequence (text by Kenneth White), soprano, clarinet, trombone, piano, accordion, 1982; Les Tarots-musiciens (text by Michel Butor), soprano, male speaker, flute, clarinet, viola, cello, accordion, 1983; Allégories (text by Claude Melin), soprano, clarinet, violin, viola, cello, piano, 1983; L'orage, un souffle (text by Bernard Vargaftig), soprano, clarinet, piano, 1984; Cheminements au ras du sol (text by Michel Butor), soprano, piano, 1984; Marzhin, soprano, any 2 traditional Breton instruments, clarinet, violin, cello, piano, accordion, 1984

VOCAL: Geste en vocalise (text by Claude Melin), soprano, clarinet, viola, cello, piano, 1985; Trois Sonnets de Louise Labé, alto, guitar, 1987; Pour Rimbaud (text by Bernard Vargaftig), speaker, flute, oboe, clarinet, bassoon, French horn, harp, string quartet, double bass, 1990; Faïences (text by Paul Louis Rossi), soprano, mezzo-soprano, 3 clarinets, 1990-91; Im Irrturm (text by Jean-Christophe Bailly), mezzo-soprano, piano, 1991; Aubade, mezzo-soprano, 1 or more flutes, 1 or more clarinets, piano, 1993-94; Teneur (text by Ludovic Janvier), soprano, clarinet (+ bass clarinet), cello, 2 pianos, 1994; Memorandum, 1 or more voices, 1996; Memorandum II, mezzo-soprano, bass clarinet, cello, piano, 1998; Ivresse en Luberon, speaker, clarinet, cello, accordion, 1999; Une Mélusine (text by Béatrice Jullien), speaker, piano, tape, 1999; Abangan, female voice, gamelan orchestra, 2001-02; Soldanelles (text by Paul Louis Rossi), mezzo-soprano, ensemble, 2004

PIANO: Lire Schubert, 1972; Seul, 1981; Empreintes nocturnes, 1981; Sous le signe de Jérémie, 1982; Portrait de Jirí Kolar, 1980-83; Lyfia, 2 pianos, 1986; Philatélie I, 1992; L'autographe, 1996; SK 1782, 2000-01; De proche en proche (Portrait de Jacques Pourcher), sixth-tone piano, 2002

ORGAN: Tiento de falsa, 1987; Colonnes, 1987; Memel (Philatélie V), 2003

HARPSICHORD: En parallèle, 1998

MULTIMEDIA: Last Notes from Endenich, any ensemble (with piano), 1977, revised 1979 (collaboration with Tom Phillips); La grande journée (text by Jean-Pierre Faye, choreography by Jean Pomarès), voice, 2 speakers, 5 dancers, ensemble, tape, plastic environment (by Constantin Xenakis), 1981-82; Vent d'ouest (text by Kenneth White), mixed choruses, variable ensembles, plastic environment (by Tom Phillips), 1982-83; Mambu, ensemble (bamboo instruments by Robert Hébrard), plastic (by Jan Voss), 1989; Au fur et à mesure, any ensemble, 1994 (collaboration with Pierre Alechinsky)

FILM SCORES (DIRECTOR): Viva la muerte, 1970 (Fernando Arrabal); Seize et une variations, 1980 (Pierrette Ayme); Espace et matière, 1984 (William Mimouni); Scénographie d'un paysage, 1984 (Dominique Belloir); Portraits d'artistes, 1985 (Dominique Belloir); La pharaonne, 1986 (Philippe Castellin); Les figures sans oreilles, 1987 (Victor Jobsa); Jean-Pierre Pincemin, un peintre au bout de la ville, 1992 (William Mimouni); Zakouma, 1994 (Marie-Hélène Baconnet); Geneviève Asse, 1995 (Pascal Bony); Le banc d'Arguin, 1995 (Marie-Hélène Baconnet); Gamba, 1996 (Marie-Hélène Baconnet); Rangiroa, 1997 (Marie-Hélène Baconnet); Dzanga-Sangha, 1997 (Marie-Hélène Baconnet); Gounda, rivière des lions, 1998 (Marie-Hélène Baconnet); Tifoune la fouine, 2000 (Marie-Hélène Baconnet); Les aventures de Reynard le renard, 2001 (Marie-Hélène Baconnet)

TV PRODUCTIONS (DIRECTOR): Proust et les sens, 1972 (Michel Favart); Pierre et Jean, 1973 (Michel Favart); Cléopâtre captive, 1974 (Henri Ronse); La grande peur, 1976 (Michel Favart); Picabia et ses héritiers, 1977 (François Ribadeau-Dumas); Aurélien, 1978 (Michel Favart); La peau de chagrin, 1980 (Michel Favart); Écholalie, 1980 (Thierry Kuntzel); La peinture cubiste, 1981 (Thierry Kuntzel, Philippe Grandieux); L'hôpîtal de Leningrad, 1983 (Sarah Maldoror); Le musée d'Orsay, 1989 (Robert Bober); Le voyage du lynx, 1992 (Marie-Hélène Baconnet); Les demoiselles de verre, 1997 (Patrice Forget, Jean-Claude Perron)

RADIO PRODUCTIONS: Le pèse-nerf (Antonin Artaud), 1973; Le temps de le prendre à la source, 1973; Le prophète voilé (Abdelkebir Khatibi), 1974; A portée de texte, 1976; Quelques hommages à la voix de ma mère (Mathieu Bénézet), 1976; Le temps du Change, 1977; Accusés de réception, 1977; Sound in my life, 1978 (collaboration with Tom Phillips); Ici...Monteverdi (Maurice Roche), 1978; L'autre et moi (Marie-Dominique Arrighi), 1978; Altachie lente à la mine d'or (Jean-Clarence Lambert), 1979; L'histoire des yeux (Jean-Luc Parant), 1980; Vol 540, 1983 (collaboration with Christian Rosset); Roll over the games, 1984 (collaboration with Christian Rosset); Radiographie de l'homme noir (Pierre Bodin), 1984; L'arc de Philoctète (Oscar Mandel), 1985; Laissez-moi mourir (Didier Pemerle), 1985 (collaboration with Christian Rosset); La nouvelle France (Jean-Loup Philippe, Serge Martina), 1986; Le loup dans l'île (Didier Pemerle), 1987 (collaboration with Christian Rosset); La garde du temps (J.G. Ballard), 1987 (collaboration with Christian Rosset); Psyche (Christine Bernard-Sugy), 1988; Isabel d'Égypte (Bettina von Arnim), 1988; L'autre, 1988 (collaboration with Vassilis Alexakis); Trans-Europe, 1988; Rahab (Claude-Henri Rocquet), 1989; Metro voce, 1989; Chronique du déluge (Claude-Henri Rocquet), 1989; Roll again over the games, 1989 (collaboration with Christian Rosset); Shoot, 1990 (collaboration with Christian Rosset); Travelling, 1991 (collaboration with Christian Rosset); Triptyques, 1992 (collaboration with Christian Rosset); Mémoires d'oubli (Bernard Noël), female voice, flute, clarinet, cello, piano, orchestra, 1992; Quel rythme nous tient, 2002 (collaboration with Michel Deguy; electroacoustic music by Dominique Lambert)

DIDACTIC MUSIC: Les Elfes (text by Ludwig Tieck), children's chorus, 1975-76; L'accent et l'écart, 1-4 flutes, 1982; Donne, clarinet, violin, cello, piano, accordion, 1983-84; Ça de mémoire, 1 or more guitars, 1984; Géométrie d'oiseaux dans l'espace (text by Jean Borreil), soprano, 16 guitars, 1986; Trois Personnages, 3 guitars, 1987-88; Vingt fois..., Celtic harp, 1988; Quarante quatre, harp, 1988; D'une rive l'autre, guitar, 1989; En quatre actes, trombone, piano, 1989; Quatre Guitares (réunion), 4 guitars, 1993; Jeux de quatre, 4 oboes, 1994; Feuilles détachées, string orchestra, 2003-04

BOOK-SCORES: Portrait de Picasso, 1975; Matériel pour un Don Juan, 1977 (collaboration with Pierre Alechinsky, Michel Butor); Institut de la Madeleine, 1978 (collaboration with Gaston Planet); Branles des demoiselles d'Avignon, 1978 (collaboration with Aldo Mondino); Kantatre, 1979 (collaboration with Aldo Mondino, Giovanni Joppolo); Le noir de l'azur (text by Jean-Clarence Lambert, illustrations by Karel Appel), 1980; Alliages de cordes, 1983 (collaboration with Claude Melin); Portrait d'Albert Ayme, 1983 (collaboration with Albert Ayme, Michel Butor, Dominique Bosseur); Allégories, 1983 (collaboration with Claude Melin); Questions, 1984 (collaboration with Félix Rozen); Geste en vocalise, 1986 (collaboration with Claude Melin); Im Irrturm, 1991 (collaboration with Jean-Christophe Bailly); Ce fragment de souffle, 1993 (collaboration with Louis-René Berge, Bernard Vargaftig); Cribles et stratégies, 1993; Concert, 1995 (collaboration with Roger Druet, Michel Butor); Boucles et miniatures, 1995; La plume, 1995 (collaboration with Pierre Alechinsky); Vox clamantis in deserto, 1998 (collaboration with Wanda Mihuleac, Marie-José Mondzain); Opéra Cannibale, 2001 (collaboration with Laurence Imbert, Jean-Loup Philippe)

DISCOGRAPHY

Un arraché de partout. Diego Masson/Ensemble Musique Vivante (Gravure Universelle: FR 34-001) (LP)

Vent d'ouest. (Arion: ARN 34776) (LP)

Musiques vertes (from Le temps de le prendre). (Atelier: 82) (LP)

Last Notes from Endenich. (Intervalles: INT 110) (LP)

La plume. Leonardo Gasparini/ensemble of the École de Musique de Noisiel (Mandala: MAN 4835, c. 1990)

Mémoires d'oubli; Stream; Portrait de Geneviève Asse; Empreintes nocturnes; Satie's Dream. Helen Merrill, voice; Bernard Wistraete, flute; Antony Marchutz, clarinet; Véronique Ghesquière, harp; Dominique Mougin, Macha Yanuchewskaïa, celli; Jean-Pierre Armengaud, Patrick Dechorgnat, pianos; Andrea Cohen, harpsichord; Ángel Luis Castaño, accordion; Groupe Intervalles; François-Xavier Bilger/Orchestre Philharmonique de Radio France (Mandala: MAN 4803, 1993)

Géométrie d'oiseaux dans l'espace; Ballades; Ça de mémoire; Quatre Guitares; Trois Personnages; Trois Sonnets de Louise Labé. (Mandala: MAN 4859, c. 1994)

Concert. Quatuor Cavalieri (Saphir: LVC 001004, c. 1995)

Hong-Kong Variations. (Agon/Pierre Vérany: PV 720003, 1996)

Messe. Dominique Visse, countertenor; Bruno Boterf, tenor; Vincent Bouchot, baritone; Marc Busnel, François Fauché, bass-baritones; Daniel Pagliardini/Chœur Universitaire de Valence, ensemble (Mandala: MAN 4921, 1997)

Code (various pieces with texts by Jean-Clarence Lambert). (Son@rt: 027, 2002)

Ballades (excerpt). (Éditions Transatlantiques: TRGC 1953N)

(Last updated on September 13, 2006)