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Jazylbekova, Jamilia (b. March 22, 1971, Kaskelen). Kazak composer, now resident in Germany, of mostly chamber works that have been performed in Central Asia, Europe and North America.
Ms. Jazylbekova studied piano and transverse flute at the State Music School in Almaty from 1980-89. She studied composition with Nikolay Sydelnikov and Vladimir Tarnopolski at the Tchaikovsky Conservatory in Moscow from 1990-95 and analysis with Günter Steinke, composition with Younghi Pagh-Paan and voice with Maria Kowollik at the Hochschule für Künste Bremen from 1995-2002, on a scholarship from the Deutscher Akademischer Austauschdienst. She has also attended Darmstadt (1996), a vocal course in Lichtenberg (1996), a masterclass with Klaus Huber (1997), the Kompositionsseminar in Boswil (2001), and Royaumont (2001).
She has received numerous honors, including Second Prize (no First Prize was awarded) in a chamber music competition in Almaty (1987, for Quartett) and an honorable mention in the Jiger competition in Almaty (1988, for Tolgau – Reflection). Her Uschar was selected for performance at the Nachwuchsforum der Gesellschaft für Neue Musik (1997). She has received an honorable mention in the Gaudeamus Music Week (1998, for Uschar), the Franz-Liszt-Kompositionspreis from the Hochschule für Musik Franz Liszt in Weimar (2000) and the Kompositionsstipendium of the Berliner Senat (2000). Most recently, she received Second Prize (no First Prize was awarded) in the Internationaler Wettbewerb der Deutschen Gesellschaft für Flöte in Frankfurt (2001, for NYR).
She has served residencies at the Künstlerhaus Schloss Wiepersdorf (2000), the Künstlerinnenhof die HÖGE near Bremen (2000), the Villa Aurora in Los Angeles (2002), the Künstlerhaus Lukas in Ahrenshoop (2002), and the Künstlerhaus Schreyahn in Niedersachsen (2003).
CONTACT INFORMATION
E-mail address: jazylbekova@yahoo.de
Street address: Ms. Jamilia Jazylbekova, Hermannstr. 68, D - 28201 Bremen, Germany
Cellular phone: + 4917 5714 9186
COMPLETE LIST OF WORKS
ORCHESTRAL: Blocks, 1999
CHAMBER MUSIC: Tolgau, flute (+ voice), 1986; Duo, 2 flutes, 1987; Duo, French horn, trumpet, 1987; Quartett, flute, oboe, clarinet, bassoon, 1988; Quintett, flute, clarinet, violin, cello, piano, 1993; Streichquartett, string quartet, 1996; Betpak – Desert of Hunger, flute, clarinet, viola, 1997; Si toutes les feuilles des arbres étaient des langues, string quartet, 1998; ötté-kjetté – gone, tenor recorder, 1999-2000; NYR, flute, 2001; Le refus de l'enfermement I, string quartet, 2001; Le refus de l'enfermement II, flute, oboe, bassoon, viola, cello, 2001; ZAMAN, flute (+ alto flute), oboe, clarinet (+ E-flat clarinet), bassoon, violin, viola, cello, double bass, percussion, 2002; Der Magier, die Tiere, soprano saxophone (+ tenor saxophone, baritone saxophone), trumpet, tuba, violin, cello, double bass, piano, accordion, percussion, 2002; Le refus de l'enfermement III, flute, clarinet, bassoon, viola, cello, 2002
VOCAL: Men kördim – I saw (text by Abaj Kunanbayev), baritone, piano, 1988; Uschar (text from a 9th-century Kazak source, arranged by the composer), female voice, flute, clarinet, violin, viola, cello, 1995-96; Al-Fana – Infinity (text from the Bible [German translation]), female voice, 1996
ELECTROACOUSTIC: Al-Fana 2, 8-track tape, 1997
DISCOGRAPHY
Uschar. Barbara Stein, voice; Oswald Sallaberger/Ensemble Modern (Hochschule für Künste Bremen, 1999)
Betpak. Eric Drescher, flute; Martin Kratzsch, clarinet; Oksana Golovko, viola (Künstlerinnenhof die HÖGE, 2001)
Le refus de l'enfermement II. Ed Spanjaard/Vera Fischer, flute; Markus Deuter, oboe; Lorelei Dowling, bassoon; Patrick Jüdt, viola; Andreas Lindenbaum, cello (Stiftung Künstlerhaus Boswil, 2001)
ZAMAN. ensemble courage (en-avant-00201.10, 2002)
(Last updated on July 5, 2003)
