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Matthews, David (b. March 9, 1943, London). British composer of mostly orchestral, chamber, choral, vocal, and piano works that have been performed throughout the world; he is also active as a scholar and writer.
Dr. Matthews wrote his first composition at age sixteen. He initially studied classics at the University of Nottingham, but then studied composition privately with Anthony Milner and received advice and encouragement from Nicholas Maw. He later received an honorary doctorate from the University of Nottingham in 1998.
His recent commissions includes ones from BBC, the Brindisi String Quartet, the Brodsky Quartet, the Cheltenham International Festival of Music, the Nash Ensemble, the Presteigne Festival, St. Mary's in the Castle, the Schubert Ensemble, and the Tetbury Music Festival. His works have been heard several times at the BBC Proms and the Huddersfield Choral Society.
As a scholar, he and his brother Colin Matthews collaborated with Deryck Cooke and Berthold Goldschmidt on the revised performing version of the Symphonie Nr. 10 by Gustav Mahler from 1964–74. As a writer, he has contributed reviews to various journals and has written the books Michael Tippett: An Introductory Study (1980) and Britten (2003, Haus Publishing), as well as a published lecture, Landscape into Sound (1991, Claridge Press), on the relation of music to painting. He also contributed the foreword to The Selected Letters of Michael Tippett (2005, edited by Thomas Schuttenhelm, Faber and Faber).
Dr. Matthews is also active in other positions. He worked as an assistant to Benjamin Britten, Baron Britten of Aldeburgh at the Aldeburgh Festival from 1966–69. He has served as music advisor to the English Chamber Orchestra since 1988 and served as artistic director of the Deal Summer Music Festival from 1989–2003. Moreover, he served as composer-in-association to the Britten Sinfonia from 1997–2001.
In addition to the works listed below, Dr. Matthews has made several orchestrations of film music.
Faber Music publishes most of his works.
CONTACT INFORMATION
E-mail address for consulting scores: promotion@fabermusic.com
Website: http://www.david-matthews.co.uk/
COMPLETE LIST OF WORKS (note that all works are published by Faber Music unless otherwise noted in parentheses after date of composition)
ORCHESTRAL: Little Concerto, small orchestra, Op. 6, 1970–71 (Visible Music); Symphony No. 1, Op. 9, 1975–78 (Visible Music); Elegy, small orchestra, Op. 16a, 1977 (version of third movement of String Quartet No. 2, Op. 16) (unpublished); Symphony No. 2, large orchestra, Op. 17, 1976–79; Sonata Canonica, small orchestra, Op. 19, 1978–79 (Visible Music); September Music, Op. 24, 1979–80 (Boosey & Hawkes); White Nights (fantasia), violin, small orchestra, Op. 26, 1980 (also version for violin, piano, Op. 26a); The National Anthem Strikes Back, 1980 (Visible Music); Introit, 2 trumpets, string orchestra, Op. 28, 1981; Serenade, small orchestra, Op. 29, 1982 (Boosey & Hawkes); Concerto No. 1, violin, orchestra, Op. 31, 1982–83; Symphony No. 3, large orchestra, Op. 37, 1983–85; In the Dark Time (symphonic poem), large orchestra, Op. 38, 1984–85; Variations, 24 or more strings, Op. 40, 1986; Chaconne, large orchestra, Op. 43, 1986–87; The Music of Dawn, large orchestra, Op. 50, 1989–90; Symphony No. 4, small orchestra (27 players), Op. 51, 1989–90 (also versions of fourth movement as Three to Tango, Op. 51a; Four to Tango, Op. 51b; Five to Tango, Op. 51c; One to Tango, Op. 51d; Thirty to Tango, symphonic band, Op. 51e, 1999; It takes..., Op. 51f); Romanza, cello, small orchestra, Op. 49, 1990; Scherzo Capriccioso, Op. 52, 1990; Capriccio, 2 French horns, 12–15 strings, Op. 54, 1991; Concerto, oboe, orchestra, Op. 57, 1991–92 (also two versions of fourth movement as Montana Taylor's Blues, Op. 57a; Op. 57b); From Sea to Sky (overture), small orchestra, Op. 59, 1992; A Vision and a Journey (symphonic fantasy), large orchestra, Op. 60, 1992–93, revised 1996–97
ORCHESTRAL: Adagio, string orchestra, Op. 56b, 1995 (version of work for string quartet); Sinfonia, Op. 67, 1995–96; A Song and Dance Sketchbook, small orchestra, Op. 65a, 1996 (version of chamber work); Burnham Wick, small orchestra, Op. 73, 1997; Concerto No. 2, violin, small orchestra (12 players), Op. 74, 1997–98; Symphony No. 5, small orchestra, Op. 78, 1998–99 (also version for orchestra, Op. 78a, 1998–99); Two pieces, string orchestra, Op. 70, 1996–2000 (each of its sections may be performed separately: Little Chaconne; Fall Dances); After Sunrise, Op. 82, 2000–01; Aubade, small orchestra, Op. 83, 2000–01; Winter Remembered, viola, string orchestra, Op. 86, 2001; Concerto in Azzurro, cello, orchestra, Op. 87, 2000–02; Away for Rio, 2002 (Visible Music); Prelude to Part III of Handel's 'Messiah', 2002 (Visible Music); Total Tango, string orchestra, Op. 80a, 2003 (version of movement of String Quartet No. 9); Variation IV: Scherzo, Op. 100a, 2003 (section of Variations on 'Down Ampney', a collaboration with five composers; may be performed separately; also incorporated into Symphony No. 6) (Maecenas); Y Deryn Du (The Blackbird), string orchestra, 2004 (version of chamber work) (Visible Music); Fanfares and Flowers, symphonic band, Op. 103, 2005–06 (also version as February Fanfare, orchestra, Op. 103a, 2006); Goodnight Song, string orchestra, Op. 102a, 2006 (version of Darkness Draws In); Symphony No. 6, large orchestra, Op. 100, 2003–07 (incorporates Variation IV: Scherzo)
CHAMBER MUSIC: String Quartet No. 1, Op. 4, 1969–70, revised 1980; Two Fantasias, Op. 5, 1970–71 (each of its sections may be performed separately: Fantasia, viola, 1970; Fantasia, cello, 1971) (Visible Music); Sonatina, violin, Op. 8, 1974 (Visible Music); String Quartet No. 2, Op. 16, 1974–76 (also version of third movement as Elegy, Op. 16a); Music of Evening, guitar, ensemble (flute, double bass, harpsichord, marimba), Op. 11, 1976 (unpublished); Songs and Dances of Mourning, cello, Op. 12, 1976 (Visible Music); Toccatas and Pastorals, 2 oboes, bassoon, harpsichord, Op. 13, 1976 (Visible Music); String Quartet No. 3, Op. 18, 1977–78; Cantares, guitar, electric guitar, flamenco guitar, bass guitar, string quartet, 1980 (collaboration with Peter Sculthorpe); White Nights (fantasia), violin, piano, Op. 26a, 1980 (version of orchestral work); String Quartet No. 4, Op. 27, 1981; Duet Variations, flute, piano, Op. 30, 1982 (also version for violin, piano, Op. 30a, 2003) (Boosey & Hawkes); Winter Journey, violin, Op. 32, 1982–83, revised 1993 (also version for viola, Op. 32a, 1983); Piano Trio No. 1, violin, cello, piano, Op. 34, 1983; Clarinet Quartet, clarinet, violin, viola, cello, Op. 35, 1984; String Quartet No. 5, Op. 36, 1984–85; The Burke and Wills Waltzes, ensemble, 1985 (concert suite from film score; collaboration with Peter Sculthorpe) (Visible Music); Three Studies, violin, Op. 39, 1985; Aria, violin, piano, Op. 41, 1986; The Flaying of Marsyas (concertino), oboe, string quartet, Op. 42, 1986–87; String Trio No. 1, violin, viola, cello, Op. 48, 1989; Danny's Dance, violin, viola, 1989 (also version for cello, piano, 2005) (original version unpublished); String Quartet No. 6, Op. 56, 1990–91 (one of its sections may be performed separately: Adagio, Op. 56a, 1990 [also version for string orchestra, Op. 56b]); Three to Tango, violin, cello, piano, Op. 51a, 1991 (version of fourth movement of Symphony No. 4; also versions as Four to Tango, violin, viola, cello, piano, Op. 51b, 1993; Five to Tango, piano, violin, viola, cello, double bass, Op. 51c, 1993; It takes..., violin, piano, Op. 51f, 2006); Cadenzas to Mozart's Oboe Concerto, K 271k, 1991 (Visible Music)
CHAMBER MUSIC: Long Lion Days, cello, piano, Op. 55, 1991–93; Montana Taylor's Blues, oboe, piano, Op. 57a, 1993 (version of fourth movement of Concerto; also version for violin, piano, Op. 57b, 1996); A Little Threnody, English horn, Op. 62, 1993; Piano Trio No. 2, violin, cello, piano, Op. 61, 1993–94; A Song and Dance Sketchbook, violin, viola, cello, piano, Op. 65, 1995 (also version for small orchestra, Op. 65a); Chant, viola, 1997 (Visible Music); Y Deryn Du (The Blackbird), violin, viola, cello, piano, 1998 (also versions for piano, violin, viola, cello, double bass, 1998; string orchestra); Pieces of Seven, flute, piano, 1998; Canon for Michael, string quartet, 1998 (unpublished); Cadenzas to Mozart's Flute and Harp Concerto, 1998 (Visible Music); String Quartet No. 8, Op. 75, 1998; Tango Flageoletto, cello, piano, 1999; Three Roman Miniatures, clarinet, Op. 81, 1999–2000; String Quartet No. 9, Op. 80, 2000 (also version of one movement as Total Tango, Op. 80a); Sarabande, flute, piano, 2000 (Visible Music); Eight Duos, 2 violins, Op. 79, 1999–2001; String Quartet No. 10, Op. 84, 2000–01 (also version as Four Australian Birds, violin, Op. 84a, 2000–04); Fifteen Fugues, violin, Op. 88, 1999–2002 (also version of three fugues as Three Fugues, Op. 88a; version of another fugue for string quartet, Op. 88b, 2002) (unpublished); Pastoral, violin, piano, 2002 (unpublished); String Trio No. 2, violin, viola, cello, Op. 89, 2003; Not Farewell, viola/violin, 2003 (Visible Music); Dialectique cordiale, violin, cello, 2003 (unpublished); Piano Quintet, piano, string quartet, Op. 92, 2004; Little Serenade, string quartet, Op. 93, 2004; The Two Cuckoos, treble recorder, 2004 (Peacock Press); Journeying Songs, cello, Op. 95, 2004; Chaconne pour la ville de St.-Nazaire, violin, cello, 2004 (unpublished)
CHAMBER MUSIC: Piano Trio No. 3, violin, cello, piano, Op. 97, 2005; Marius's Dance, 2 violins, 2005 (unpublished); In the Dark Wood, clarinet, piano, 2005; Darkness Draws In, viola, Op. 102, 2005 (also version as Goodnight Song, Op. 102a); Cadenza to Paganini's Violin Concerto No. 2, 2006 (Visible Music); Tango di Boda, guitar, violin, double bass, piano, accordion, 2006 (version of work for piano 4 hands) (unpublished); The National Anthem, violin, 2007
CHORAL: Christ is Born of Maiden Fair (traditional), mixed chorus, 1968; Coventry Carol, mixed chorus, 1969; Stars (cantata, text by Peter Holman), mixed chorus, orchestra, Op. 3, 1970; Four Hymns (texts by Friedrich Hölderlin, John Donne, an anonymous source, Clive Griffin Smith), mixed chorus, Op. 20, 1972–78; The Company of Lovers (5 songs, texts by David Campbell, Judith Wright), mixed chorus, Op. 25, 1980; The Rose Carol (traditional), mixed chorus, 1986 (Visible Music); The Ship of Death (text by D.H. Lawrence), double mixed chorus, Op. 46, 1988–89; Fanfare for the Queen Mother, mixed chorus, 1990 (Visible Music); Salve Regina, mixed chorus, 1991, revised 2005 (Visible Music); Good Cheer, Piers, mixed chorus, 1993 (unpublished); Moments of Vision (texts by Gerard Manley Hopkins, D.H. Lawrence, John Keats, Geoffrey Hill, Edward Thomas, Thomas Hardy), mixed chorus, Op. 68, 1978–95; Vespers (texts by Rainer Maria Rilke [translated by Babette Deutsch], Latin liturgical sources), mezzo-soprano, tenor, mixed chorus, large orchestra, Op. 66, 1993–96; Hurrahing in Harvest (text by Gerard Manley Hopkins), 6 mixed voices, Op. 71, 1997; The Doorway of the Dawn (text from a Pima Indian source), mixed chorus, Op. 76, 1999 (Chesters); Psalm 23, mixed chorus, organ, Op. 90, 2003; Aequam memento (text by Horace), mixed chorus, Op. 91, 2003–04; Two Choruses (text by Wystan Hugh Auden), mixed chorus, Op. 101, 2005
VOCAL: Three songs (text by Alun Lewis), baritone, piano, Op. 2, 1969–70 (Visible Music); Three songs (texts by Victor Hugo, Paul Éluard, Charles Baudelaire), soprano, large orchestra, Op. 1, 1968–71; Upon Time (4 songs, texts by Hugo von Hofmannsthal, Robert Herrick, Giacomo Leopardi), medium voice, piano, Op. 7, 1970–71 (Visible Music); The Book of Hours (6 songs, text by Rainer Maria Rilke), mezzo-soprano, piano, Op. 10, 1975, revised 1999; Eclogue (text by Henry Vaughan), soprano, flute, violin, viola, cello, piano, 2 percussion, Op. 14, 1976 (Visible Music); Ehmals und Jetzt (6 songs, texts by Hugo von Hofmannsthal, Friedrich Hölderlin), soprano, piano, Op. 22, 1972–79 (Visible Music); Four Yeats Songs, tenor, piano, Op. 23, 1976–79 (Visible Music); A Cloud Sequence (texts by Percy Bysshe Shelley, William Wordsworth, Gerard Manley Hopkins, James Thomson, Rupert Brooke), speaker, ensemble, 1979 (Visible Music); The Golden Kingdom (song-cycle, texts by Kathleen Raine, Percy Bysshe Shelley, William Blake), high voice, piano, Op. 33, 1979–83 (also version for medium voice, piano, Op. 33a, 1979–83; versions of one section, Spell of Sleep [text by Kathleen Raine], for soprano, 2 clarinets, viola, cello, double bass, Op. 33b, 1992; baritone, clarinet, piano, Op. 33c, 1995); Cantiga (text by Maggie Hemingway), soprano, orchestra, Op. 45, 1987–88; Marina (text by T.S. Eliot), baritone, basset horn, viola, piano, Op. 44, 1988; From Coastal Stations (6 songs, text by Maggie Hemingway), medium voice, piano, Op. 53, 1990–91; The Sleeping Lord (text by David Jones), soprano, flute, clarinet, harp, string quartet, Op. 58, 1992; Pride (text by Maggie Hemingway), soprano, alto, tenor, string quartet, 1993 (Visible Music)
VOCAL: A Congress of Passions (cantata, text by Sappho), medium voice, oboe, piano, Op. 63, 1993–94 (also version for medium voice, oboe, 14 strings, Op. 63a, 2000); Skies now are Skies (String Quartet No. 7) (texts by D.H. Lawrence, e.e. cummings, the Song of Solomon), tenor, string quartet, Op. 64, 1994; Two Housman Songs, soprano, string quartet, Op. 69, 1996; Winter Passions (text by Aleksandr Pushkin), baritone, clarinet, violin, viola, cello, Op. 77, 1999; For a Wine Festival, soprano, piano, Op. 98a, 1991–2003 (section of work A Garland for Presteigne, a collaboration with ten composers; may be performed separately; a version was also incorporated into Movement of Autumn, Op. 98); Voyages (4 songs, texts by Charles Baudelaire, Victor Hugo), medium voice, violin, viola, cello, piano, Op. 96, 2003–04 (one section may be performed separately: L'invitation au voyage [text by Charles Baudelaire], soprano, violin, viola, cello, piano, Op. 96a, 2003); Movement of Autumn (5 songs, text by Vernon Watkins), soprano, small orchestra, Op. 98, 2003–05 (incorporates a version of For a Wine Festival, Op. 98a); That very breath (text by Beverley Ashill), mezzo-soprano, violin, viola, cello, Op. 99, 2005 (unpublished); Six Goethe Songs, voice, piano, 2002–06 (unpublished); Terrible Beauty (texts by Homer [English translation], William Shakespeare), medium voice, flute, clarinet, harp, string quartet, Op. 104, 2006–07
PIANO: Fugue on BACH, piano 4 hands, 1964; Etude, Op. 21, 1978 (Visible Music); Three Preludes, Op. 15, 1976–79, revised 2005 (Visible Music); Sonata, Op. 47, 1989; One to Tango, Op. 51d, 1993 (version of fourth movement of Symphony No. 4); Four Waltzes, piano 4 hands, 1996 (Neil A. Kjos); Variations, Op. 72, 1997; Caution on Mud Road, piano 4 hands, 1999 (collaboration with Jean Hasse) (Visible Music); Two Amorous Duets, piano 4 hands, 2000 (Visible Music); Three Fugues, Op. 88a, 2001–02 (version of three of the Fifteen Fugues) (unpublished); Tango di Boda, piano 4 hands, 2002 (also version for guitar, violin, double bass, piano, accordion) (unpublished); A Lament, 2002 (Visible Music); Dionysus Dithyramb, Op. 94, 2004; 75 Steps up Temple Fortune Hill, 2005 (unpublished); Jenifer Chorale, piano (7/8 players), 2005 (unpublished); One, 2006
ORGAN: Invocation, 2000; Band of Angels, Op. 85, 2001; Come down O Love Divine, 2004 (unpublished); Variation on 'Cromer', 2005 (unpublished)
HARPSICHORD: Doctor Holman, His Galiard, 1996 (Visible Music)
ARRANGEMENTS: Souvenirs de Munich (Emmanuel Chabrier), ensemble, 1978 (Visible Music); Small Town from The Fifth Continent (Peter Sculthorpe), string quartet, 1980 (unpublished); La lugubre gondola II (Franz Liszt), small orchestra, 1983 (Visible Music); Andante from Streichsextett Nr. 1 in B-dur, Op. 18 (Johannes Brahms), string orchestra, 1987; Suite from A Village Romeo and Juliet (Frederick Delius), orchestra, 1987; L'histoire de Babar le petit éléphant (Francis Poulenc), ensemble, 1988 (Chesters); The Seasons (Pyotr Tchaikovsky), orchestra, 1989; Peter and the Wolf, Op. 67 (Sergey Prokofiev), ensemble, 1991 (Boosey & Hawkes); Liebst du um Schönheit from Fünf Lieder nach Rückert (Gustav Mahler), voice, orchestra, 1992 (new orchestration) (Josef Weinberger); Two Pieces for Small Orchestra (Frederick Delius), ensemble, 1993 (Visible Music); Four Early Songs (Gustav Mahler), medium voice, small orchestra, 1994 (Josef Weinberger); Fünf Lieder nach Rückert (Gustav Mahler), voice, ensemble, 1992–95 (Josef Weinberger); Seven Songs (Alma Mahler), medium voice, orchestra, 1996 (collaboration with Colin Matthews) (Universal Edition); Im Dorfe from Winterreise, D 911 (Franz Schubert), string quartet, 1997; Sonate Nr. 28 in A-dur, Op. 101 (Ludwig van Beethoven), string quartet, 1997 (Visible Music); Fun, Fun, Fun (Beach Boys), ensemble, 1998 (Visible Music); Ricercar à 6 from Das musikalische Opfer, BWV 1079 (Johann Sebastian Bach), 9 winds, 1999 (Visible Music)
ARRANGEMENTS: Lieder und Gesänge (Gustav Mahler), medium voice, orchestra, 1964–2002 (collaboration with Colin Matthews) (Josef Weinberger); Präludium und Fuge in B-moll from Das wohltemperierte Klavier (Johann Sebastian Bach), string quartet, 2002 (Visible Music); La maja y el ruiseñor (Enrique Granados), orchestra, 2003; Im wunderschönen Monat Mai (Robert Schumann), string quartet, 2004 (Visible Music); Les nuits d'été, Op. 7 (Hector Berlioz), voice, ensemble, 2005 (Josef Weinberger); Final Scene from Capriccio, Op. 85 (Richard Strauss), ensemble, 2005 (Boosey & Hawkes); Zwei Lieder (Gestillte Sehnsucht–Geistliches Wiegenlied), Op. 91 (Johannes Brahms), voice, viola, orchestra, 2005 (unpublished); Sechs Lieder (Johannes Brahms), medium voice, ensemble, 2005 (unpublished); Cheek to cheek (Irving Berlin), mixed chorus, ensemble, 2005 (unpublished); Owen Wingrave, Op. 85 (Benjamin Britten, Baron Britten of Aldeburgh), 3 sopranos, mezzo-soprano, 2 tenors, 2 baritones, small orchestra (15 players), 2006–07
FILM SCORES (DIRECTOR): Essington, 1974 (Julian Pringle; collaboration with Peter Sculthorpe, M. Hannan) (unpublished); Manganinnie, 1980 (John Honey; collaboration with Peter Sculthorpe) (unpublished); Burke and Wills, 1985 (Graeme Clifford; collaboration with Peter Sculthorpe; a concert suite was arranged as The Burke and Wills Waltzes)
DISCOGRAPHY (as composer; in chronological order, but without specific dates)
Adagio, Op. 56a. Brodsky Quartet (Silva Classics: SILKD 6001)
Cantiga, Op. 45; Introit, Op. 28; September Music, Op. 24; Lieder und Gesänge (Gustav Mahler; excerpts). Jill Gomez, soprano; John Carewe/Bournemouth Sinfonietta (Unicorn-Kanchana: DKP 9120)
The Golden Kingdom, Op. 33. Margaret Field, high voice; Andrew Ball, piano (Redcliffe: RR 009)
Sonata, Op. 47. William Howard, piano (NMC Recordings: D021S)
In the Dark Time, Op. 38; Chaconne, Op. 43. Jac van Steen/BBC Symphony Orchestra (NMC Recordings: D067)
Piano Trio No. 1, Op. 34. English Piano Trio (Kingdom: KCLCD 2029)
Romanza, Op. 49. Mstislav Rostropovich, cello; Raymond Leppard/English Chamber Orchestra (EMI Classics: CDC 54164)
String Quartet Nos. 3, Op. 18; 6, Op. 56; The Flaying of Marsyas, Op. 42; A Little Threnody, Op. 62. Nicholas Daniel, oboe, English horn; Brindisi String Quartet (Metronome: MET 1005)
Symphony No. 4, Op. 51. Malcolm Nabarro/East of England Orchestra (Collins Classics: 20082)
Winter Journey, Op. 32. Peter Sheppard Skærved, violin (Fish Ear: FECD621)
The Doorway of the Dawn, Op. 76. Richard Broadbent/Joyful Company of Singers (EMI Classics: 56961)
Three Studies, Op. 39; Fuga (from Fifteen Fugues, Op. 88). Peter Sheppard Skærved, violin (Metier Records: MSV CD 92028)
Y Deryn Du (The Blackbird). Schubert Ensemble (NMC Recordings: D075)
Duet Variations, Op. 30. Jeffrey Khaner, flute; Charles Abramovic, piano (Avie Records: AV0016)
For a Wine Festival, Op. 98a. Gillian Keith, soprano; Simon Lepper, piano (Metronome: MET 1065)
Cantiga, Op. 45; Symphony No. 4, Op. 51; September Music, Op. 24; Introit, Op. 28. John Carewe/Bournemouth Sinfonietta; Malcolm Nabarro/East of England Orchestra (NMC Recordings: D084)
Capriccio, Op. 54. Alexandra Carr, Richard Watkins, French horns; Michael Thompson/strings of the Royal Academy of Music Concert Orchestra (Royal Academy of Music: RAM 016)
Moments of Vision, Op. 68; Hurrahing in Harvest, Op. 71; The Ship of Death, Op. 46. Charles Janz/Colmore Consort (Colmore Consort)
Winter Remembered, Op. 86. Sarah-Jane Bradley, viola; George Vass/Orchestra Nova (Dutton Epoch: CDLX 7186)
From Sea to Sky, Op. 59; A Congress of Passions, Op. 63a; Aubade, Op. 83; Movement of Autumn, Op. 98; Total Tango, Op. 80a; The Sleeping Lord, Op. 58; Goodnight Song, Op. 102a. Gillian Keith, Rachel Nicholls, sopranos; Lucie Špičková, mezzo-soprano; George Vass/Orchestra Nova (Dutton Epoch: CDLX 7189)
The Music of Dawn, Op. 50; Concerto in Azzurro, Op. 87; A Vision and a Journey, Op. 60. Guy Johnston, cello; Rumon Gamba/BBC Philharmonic Orchestra (Chandos Records: CHAN 10487)
Symphony No. 1, Op. 9; Symphony No. 3, Op. 37; Symphony No. 5, Op. 78a. Martyn Brabbins/BBC National Orchestra of Wales (Dutton Epoch: CDLX 7222)
DISCOGRAPHY (as arranger)
Andante from Streichsextett Nr. 1 in B-dur, Op. 18 (Johannes Brahms); Suite from A Village Romeo and Juliet (Frederick Delius). Carl Davis/London Philharmonic Orchestra (Virgin Classics: VC 90716)
L'histoire de Babar le petit éléphant (Francis Poulenc). Fibonacci Sequence (Fibonacci Recordings: FIB1123)
Lieder und Gesänge (Gustav Mahler; 4 excerpts). Ruth Ziesak, soprano; Daniele Gatti/Royal Philharmonic Orchestra (BMG/RCA: 75605 51345)
Seven Songs (Alma Mahler). Iris Vermillion, mezzo-soprano; Riccardo Chailly/Koninklijk Concertgebouworkest (Decca: 455 112)
(Last updated on April 2, 2009)
