THE LIVING COMPOSERS PROJECT | ||
(b. 21 July 1931, Santiago – d. 10 October 2022, Tel Aviv). Israeli composer, born in Chile, of mostly orchestral, chamber, choral, vocal, piano, and multimedia works that have been performed throughout the world; he was also active as a painter. Prof. Schidlowsky had secondary studies at the Instituto Nacional de Chile in Santiago from 1940–47 and studied piano with Roberto Duncker at the Conservatorio Nacional de Chile in Santiago from 1942–48, where he earned a diploma. He later studied composition with Adolfo Allende and Fré Focke, as well as harmony, philosophy and psychology at the Universidad de Chile in Santiago from 1948–52. He finished his studies at the Hochschule für Musik Detmold from 1952–54. Among his honours were various prizes in Chile (1957–67), the Guggenheim Fellowship (1968), First Prize in the competition of the Hecht Foundation (1977, for Rising Night after Night), two residencies in Berlin from the Deutscher Akademischer Austauschdienst (1980–81, 1992–93), First Prize in the 60th anniversary competition of the Israel Philharmonic Orchestra (1996, for Absalom), and the ACUM Prize (2000, for his œuvre). His music represented Israel at the UNESCO International Rostrum of Composers (1971, for Babi Yar; 1978, for Dadayamasong) and the Prix Italia (1976, for Citizen 1230316). He is the subject of the book Leon Schidlowsky: An Outsider in Three Cultures. Musical Stages of a Jewish Composer in Five Acts/Leon Schidlowsky: Ein Außenseiter in drei Kulturen. Musikstationen eines jüdischen Komponisten in fünf Akten by David Schidlowsky (2021, Wissenschaftlicher Verlag Berlin). He participated in festivals, symposia and workshops in Argentina, Chile, the Czech Republic, Germany, Israel, Peru, Poland, Spain, the UK, the USA, and Venezuela. His graphic scores have been exhibited at the Staatsgalerie Stuttgart (1979), the Kunsthaus Hamburg (1980), the Galerie Schaller (1980), the Wilhelm-Hack-Museum in Ludwigshafen (1982), and the Staatliches Museum in Saarbrücken (1995). They were also the focus of concerts in Berlin, Hamburg, Ludwigshafen, and Stuttgart from 1979–82, in Berlin from 1990–2000 and in 2006, in Saarbrücken in 1995, and in Würstburg in 1997. As a painter, exhibitions of his visual art were held at the Adlershof-Galerie in Berlin in 1993 and at the Chilean Embassy in Tel Aviv in 2002. He was also active in other positions. He was a member of the avant-garde ensemble Agrupación Tonus in Santiago from 1955–59 and served as its director from 1959–61 and was also a member of the British Council in Santiago from 1955–59. He served as a musical advisor to the Noiswander Grupo de Pantomimes in Santiago from 1956–61 and as director of the music library at the Instituto de Extensión Musical in Santiago in 1961–62, of which he then served as director-general from 1962–66. He also served as secretary-general of the Asociación Nacional de Compositores in Santiago from 1961–63. He taught music education at the Instituto Hebreo in Santiago from 1955–61 and taught composition as a professor at the Universidad de Chile in Santiago from 1965–68. He taught at the Rubin Academy of Music of Tel Aviv University from 1969–2000, where he was Professor of Composition and Music Theory from 1969–84 and Adjunct Full Professor from 1984–2000. In addition, he lectured on his music at Lund University in Sweden in 1988 and 1992 and at the Institut für Neue Musik in Berlin in 1992 and on Arnold Schoenberg at the Internationale-Schönberg-Gesellschaft in Austria in 1991. He gave a masterclass in Vienna in 1995 and lectured at the Curso Internacional de Composición in Zaragoza in 1996–97. He lived in Israel from 1968–2022. He was the father of the writer David Schidlowsky and the grandfather of the pianist Rachel Schidlowsky and the violinist Semadar Schidlowsky. CONTACT INFORMATION SELECT LIST OF WORKS STAGE: Die Menschen (opera in 4 acts, libretto by the composer, after Walter Hasenclever), 1969 Der Dibbuk (opera in 3 acts, libretto by the composer, after Shlomo An-Ski), 1993 Before Breakfast (opera in 1 act, libretto by the composer, after Eugene O'Neill), 1998 ORCHESTRAL: Requiem (text by Rainer Maria Rilke), soprano, orchestra, 1954 Oda a la tierra (text by the composer), 2 speakers, orchestra, 1958 Tríptico, 1959 La Noche de cristal (symphony, text from a traditional Jewish prayer), tenor, male chorus, orchestra, 1961 Eróstrato, 40 percussion, 1962 Amatorias (text by Vicente Huidobro), tenor, string orchestra, 1963 De profundis, soprano, alto, tenor, flute, oboe, bass clarinet, alto saxophone, trumpet, trombone, string orchestra, 1963 Invocación (text by the composer), soprano, speaker, orchestra, 1964 Nueva York, 1965 Visiones, 12 strings, 1966 Epitafio para Hermann Scherchen, 1967 Kaddish, cello, orchestra, 1967 Jeremias (text from the Bible), mixed chorus, string orchestra, 1968 Amereida, 1965–69 (its three sections may be performed separately: Llaqui [elegy, text by Javier Heraud], speaker, orchestra, 1965; Memento [text by Javier Heraud], soprano, orchestra, 1967; Ecce Homo [text by the composer], alto, orchestra, 1969) Serenata, small orchestra, 1970 Babi Yar, piano, percussion, string orchestra, 1971 Tel Aviv, 1971 In Eius Memoriam, 1973 Monumentum (text by the composer), soprano, alto, baritone, speaker, orchestra, 1973 Akiba ben Yosef (cantata, text by Recha Freier), soprano, alto, baritone, speaker, mixed chorus, orchestra, 1974 Homenaje a Neruda (text by the composer), mixed chorus, orchestra, 1975 Rising Night after Night (cantata, text by Abba Kovner), soprano, tenor, bass, speaker, children's chorus, mixed chorus, orchestra, 1977 Trilogy, 1976–78 (its three sections may be performed separately: Prelude to a Drama, 1976; Lux in tenebris, 1977; Canticum, 1978) Adieu (text by Arthur Penn), mezzo-soprano, small orchestra, 1982 Ode (texts from liturgical sources), mixed chorus, trombone, harp, piano, organ, harmonium, celesta, percussion, string orchestra, 1983 Laude (text from Psalm 130), mixed chorus, organ, small orchestra, 1984 Amerindia, 1982–85 (its five sections may be performed separately: Preludio, orchestra, 1982; Los Heraldos negros [text by César Vallejo], speaker, orchestra, 1983; Sacsahuamán, orchestra, 1983; Era el crepúsculo de la iguana [text by Pablo Neruda], speaker, orchestra, 1985; Yo vengo a hablar [text by Pablo Neruda], speaker, orchestra, 1983) Balada, violin, orchestra, 1985 Exequiæ (text by David Schidlowsky), mixed chorus, orchestra, 1986 Elegy, 1988 Laudatio, 1988 Kaleidoscope, 1989 Prelude, 1990 Exhortatio, 1991 Polyphony VII, 1991 Salmos (text from the Bible [Spanish translation]), mixed chorus, orchestra, 1991 Carrera (text by Pablo Neruda), speaker, orchestra, 1993 Sealed Room, small orchestra (12 players), 1993 I will lay mine hand upon my mouth, 1994 Silvestre Revueltas (oratorio, text by Pablo Neruda), speaker, 9 mixed voices, small orchestra, 1994 Absalom, large orchestra, 1996 Dark Night, string orchestra, 1997 De profundis, string orchestra, 1997 Mahnmal – Memorial, 1999 The Sacrifice of Isaac I (text from the Bible [Hebrew translation]), tenor, bass, speaker, mixed chorus, orchestra, 1999 The Sacrifice of Isaac II (text from the Bible [German translation]), tenor, bass, speaker, mixed chorus, orchestra, 1999 Evocación, small orchestra, 2000 Meditaciones, small orchestra, 2000 In memoriam Jorge Peña (text by the composer), speaker, orchestra, 2001 Adagio, small orchestra, 2002 Vox clamantis in deserto, 2002 And death shall have no dominion, large orchestra, 2003 Expectra, 2003 Sunrise, 2004 Sunset, 2004 Introitus, large orchestra, 2005 Job, large orchestra, 2005 L'Inferno, large orchestra, 2005 In memoriam G. Ligeti, large orchestra, 2006 The voice of the wind, large orchestra, 2006 Constellations, 2006 Eros & Thanatos, large orchestra, 2007 Sul do, 2007 The seven eye, 2008 Actions 77, 2008 Love song (text by the composer), tenor, orchestra, 2008 Ritual Dance, 2009 Portray, 2009 Lautaro (text by Pablo Neruda), speaker, orchestra, 2009 Mahleriana, 2011 Capricho, 2011 Obelisk, 2012 Desierto (text by Pablo Neruda), speaker, orchestra, 2012 Hopeless Day (text from the Bible), speaker, orchestra, 2013 Musical Landscapes, 2013 Memorial of yesterday's Dreams, 2013 The Day of Rage, 2013 Presage, 2013 Epigram, 2013 The Valley of Dry Bones, 2014 Journey to the end of the night, 2014 In memoriam Fernando Rosas, 2014 Valparaíso (text by Álvaro Gallegos), speaker, orchestra, 2014 Luces y sombras, 2015 In the world of the sea, 2015 Memoria, 2015 Obelisk II, 2015 Partita – esquema para orquesta, 2015 Poem, 2015 Chamber Concert, small orchestra (flute, oboe, clarinet, bassoon, French horn, trumpet, trombone, 2 percussion, 2 violins, viola, cello, double bass), 2015 Espartaco, 2016 Preludio to Espartaco, 2016 Santiago (text by the composer), speaker, orchestra, 2016 Spiral, 2016 Himno a la luna (text by the composer), speaker, orchestra, 2016 Mensaje (text by the composer), speaker, orchestra, 2016 Plegaria (text by the composer), speaker, orchestra, 2016 The darkest way (text by Dylan Thomas), speaker, orchestra, 2016 Three pieces for orchestra, 2016 Contraction, 2016 Miniatur, small orchestra, 2016 Phantasy, small orchestra (14 players), 2016 Musical Quantum, 2017 To the forgotten Heroes, 2017 Memoria II. On the 70th Anniversary of the State of Israel, 2018 Jerusalem, 2018 Torment, 2018 Musical Pyramid, 2018 Eglogad, 2018 The heavenly circle, 2019 Epilogo, 2019 Nebulæ, 2019 Shadows II, string orchestra, 2019 Retorno, string orchestra, 2020 (section of Album for String Instruments; may be performed separately) Dawning, string orchestra, 2021 (section of Album for String Instruments; may be performed separately) CHAMBER MUSIC: Elegía, flute/clarinet, string quartet, 1952 Trío, flute, cello, piano, 1955 Cuarteto mixto, flute, clarinet, violin, cello, 1956 Concierto para seis instrumentos, clarinet, bass clarinet, trumpet, piano, timpani, xylophone, 1957 Cuatro Miniaturas, flute, oboe, clarinet, bassoon, 1957 In memoriam, clarinet, percussion, 1957 Isla negra, flute, 1959 Soliloquios, clarinet, harp, guitar, cello, piano, celesta, vibraphone, 2 percussion, 1961 Eclosión, 8 players, 1967 Cuarteto de cuerdas, string quartet, 1967 Hexáforos, 6 percussion, 1968 Interludio, guitar, 1968 Quinteto, flute, oboe, clarinet, French horn, bassoon, 1968 Sexteto, flute, clarinet, bass clarinet, piano, xylophone, percussion, 1969 Trigon, violin, cello, piano, 1971 Kolot – Voices, harp, 1971 Invention, flute, piano, 1975 Images, 8 strings, 1978 Eclipse, bass clarinet, ensemble, 1983 (its cadenza may be performed separately) Piano Quartet, violin, viola, cello, piano, 1988 String Quartet, 1988 Five Pieces for Harp, harp, 1990 Shadows II, ensemble, 1990 In memoriam Luigi Nono, viola, cello, double bass, 1991 In memoriam, cello, piano, percussion, 1996 Threnos, flute, viola, percussion, 1996 Septimino, flute, oboe, clarinet, bassoon, French horn, trumpet, trombone, 1998 Seven Nocturnes, violin, piano, 1998 Three Dialogues, 2 violins, 2000 Quartet, string quartet, 2001 Partita, oboe, 2002 Secret Garden, flute, oboe, clarinet, bass clarinet, harp, 2003 Tango, violin, piano, 2003 Trio, violin, viola, cello, 2003 Quartet, flute, oboe, clarinet, bassoon, 2004 Partita, clarinet, 2004 Quintet, flute, oboe, clarinet, French horn, bassoon, 2004 Sextet, oboe, bassoon, cello, 3 percussion, 2004 Septet, flute, oboe, clarinet, bassoon, violin, viola, cello, 2004 Intermezzo, 4 mandolins, 2004 Inventions, oboe, clarinet, cello, 2004 Duetto, 2 harps, 2004 Resonances, violin, cello, piano, 2005 Toccata, piano, percussion, 2005 Partita, cello, 2005 Prélude, harp, 2005 Horror Vacui, speaker, ensemble, 2007 The march of the ants, 2 percussion, 2007 Monolog (text by Nicolás Guillén), speaker, guitar, 2008 Prelude, mandolin, 2008 Diagram, guitar, mandolin, 2008 Twilight, oboe, clarinet, French horn, cello, 2012 Sexteto, flute, English horn, bass clarinet, harp, cello, double bass, 2012 Intermezzo, flute, oboe, 2 violins, viola, cello, double bass, piano, 2012 Shakespeariana (text by William Shakespeare), 2 voices, 2 violins, 2012 Izkor, violin, 2012 Farewell, flute, 2012 Duet, 2 flutes, 2012 Quartet. The seventh seal, string quartet, 2015 Emanations, the 10 sefirot, 10 winds, 2015 In front of a mirror (text by the composer), speaker, ensemble, 2016 Triangle of the space, 7 players, 2016 (its three sections may be performed separately: Coloquio; Spheres; Gravity) Splendor, 11 players, 2016 Melodías de un pájaro desconocido, oboe, 2016 Diálogo perpetuo, trombone, bass guitar, 2016 Azul, violin, cello, piano, 2017 Ellipsis, flute, English horn, bass clarinet, harp, violin, viola, cello, 2017 Triángulo Amarillo, flute, bass clarinet, piano, 2017 Trío nocturnal, violin, cello, piano, 2017 Dialogues, oboe, bass clarinet, piano, 2017 Tríada del eterno retorno, flute, bass clarinet, piano, 2017 El Ritual de Shavuot, piano, 6 percussion, 2017 Diálogo de los cuatro, violin, viola, cello, double bass, 2017 Gebet, violin, 2017 Monolog, cello, 2017 Contraction II, 5 percussion, 2018 Melodías, flute, English horn, bass clarinet, violin, cello, 2018 Monólogo, viola, 2018 Dark Melody, bassoon, 2018 Trio libero, flute, English horn, bass clarinet, 2018 Miniaturas, flute, violin, cello, 2019 Memento, harp, piano, vibraphone, 2019 Lyrisches Quintett, 5 winds, 2019 Septeto, flute, oboe, clarinet, bass clarinet, violin, viola, cello, 2019 Nostalgia, 7 players, 2019 The heavenly circle II, flute, oboe, English horn, clarinet, bass clarinet, bassoon, contrabassoon, 2019 Album for solo instruments, 2020 (its six sections may be performed separately: Memento, flute; Intermezzo, flute; Nocturno negro [I can't breathe], flute; Arabesque II, bass clarinet; Short interlude, oboe; Three fragments of monody, oboe) Phantasy II, violin, piano, 2020 Album for String Instruments, 2020–21 (its five sections may be performed separately: Trio [The Ides of March], violin, viola, cello, 2020; Tragic Quartet, string quartet, 2020; String Quintet, 2 violins, viola, cello, double bass, 2020; Retorno, string orchestra; Dawning, string orchestra) Three toccatas, 2020–21 (its three sections may be performed separately: Toccata, 8 percussion, 2020; Toccata II, 5 percussion, 2021; Toccata III, 'Memento mori', 5 percussion, 2021) Two short melodies for violin solo, violin, 2021 (its two sections may be performed separately: Melody; Short melody) CHORAL: Canciones de amor (text by Pierre Louÿs), speaker, mixed chorus, 1957 Caupolicán (epic narrative, text by Pablo Neruda), speaker, mixed chorus, 2 pianos, 6 percussion, 1958 Three Hebrew Pieces (text from the Bible), mixed chorus, 1966 Imprecasiones (text by the composer), mixed chorus, 1968 Requiem for Choir a Cappella, mixed chorus, 1968 Eli, Eli, lama azavtnai (text from the Bible), 12 mixed voices, 1970 Nacht (text by the composer), mixed chorus, 1979 Missa in Nomine Bach (text from the Mass), mixed chorus, 8 players, 1984 Bereshit (text from the Bible), children's chorus, 1985 An den Knaben Elis (text by Georg Trakl), mixed chorus, 3 percussion, 1992 Laudate, mixed chorus, 1995 Three psalms and a prayer (text from the Bible), mixed chorus, 2004 Libera me Domini (text from the Mass), mixed chorus, 2004 Three Pieces (text by Paul Celan), mixed chorus, 2005 Two Psalms (texts from Psalm 23, Psalm 144), mixed chorus, 2008 Solo (text by Hillel the Elder), 4 mixed voices, 2011 Exodus (text from the Book of Exodus), 4 mixed voices, 2012 Gedanken (text by Paul Celan), 4 mixed voices, 2015 Zwei Stücke, mixed chorus, 2020 (its two sections may be performed separately: Three short songs [text by Rose Ausländer]; Psalm 130 [text from Psalm 130]) VOCAL: Drei Liebeslieder (text by Georg Trakl), voice, piano, 1953 Zwei Lieder vom Tode, voice, piano, 1954 Epitafio a Vicente Huidobro (text by Vicente Huidobro), soprano, flute, vibraphone, xylophone, percussion, 1955 Tres Poemas (texts by Federico García Lorca, Vicente Huidobro), voice, piano, 1955 Cantata negra (text by Blaise Cendrars), tenor, piano, 6 percussion, 1958 Dos Salmos (text by Georg Trakl), alto, clarinet, bass clarinet, violin, cello, 1962 Zwei Lieder (text by Georg Trakl), tenor, harp, celesta, vibraphone, percussion, 1962 Zwei Lieder (text by Georg Trakl), tenor, piano, 1962 Tres Canciones de amor, tenor, piano, 1963 Tres Versos del capitán (text by Pablo Neruda), tenor, 6 percussion, 1966 Estudiante baleado (text by Fernando Rojas), voice, piano, 1967 Lyrik (text by Else Lasker-Schüler), soprano, 5 percussion, 1969 Grabstein für Else Lasker-Schüler (text by Else Lasker-Schüler), countertenor, 5 percussion, 1998 Lamento (text by Heinrich Heine), countertenor, ensemble, 1998 Si muero (text by Federico García Lorca), speaker, flute, harp, organ, 1998 The Song of Sorrow (text by Giuseppe Ungaretti), soprano, French horn, harp, cello, 2002 Two songs (text by Dylan Thomas), soprano, clarinet, bassoon, violin, cello, piano, 2005 Two songs (texts by William Blake, Walter Savage Landor), voice, clarinet, violin, cello, 2006 Tree songs (text by Giuseppe Ungaretti), soprano, flute, clarinet, bassoon, violin, cello, piano, 2008 Soledad (text from a Quechua source [Spanish translation]), voice, oboe, French horn, cello, 2009 Permutaciones (text by the composer), 1 or more voices (+ claves, maracas, finger cymbals, güiro, flexatone), 2012 Y álzase el hombre (text by César Vallejo), speaker, 3 percussion, 2012 Aria (text by the composer), soprano/tenor, 2017 Album for voice, soprano/tenor, 2018 (its three sections may be performed separately: Tríade [text by Carlos A. Azevedo]; Zwei Miniaturen [texts by Friedrich Hölderlin, Unica Zürn]; Cinco Miniaturas del alma [texts by Rahel Varnhagen, Carlos A. Azevedo, the composer]) Entre sombras y rosas (texts by Carlos A. Azevedo, Paul Celan, Angelus Silesius), speaker, ensemble, 2018 Songs for voice and instruments, 2020–21 (its five sections may be performed separately: Rote Rosa [text by the composer], soprano, flute, violin, piano, 2020; Zwei Fragmenten [text by Paul Celan], voice, 2020; Zwei Duette [text by Else Lasker-Schüler], voice, piano, 2020; Pequeña Canción [text by the composer], voice, harp, piano, 2021; Lied [text by Else Lasker-Schüler], soprano, piano, percussion, 2021) PIANO: Seis Miniaturas, 1952 Tres Trozos, 1952 Ocho Estructuras, 1955 Cinco Piezas, 1956 Actus, 1972 Trilogy, 2 pianos, 1990 Toccata, 1991 Partita, 2017 Prolog, 2017 Four short pieces for piano, 2018 Prelude, 2019 Miniatur, 2020 ORGAN: Christus im Holocaust, 2001 ELECTROACOUSTIC: Nacimiento, fixed media, 1956 Citizen 1230316, fixed media, 1976 FILM SCORES (DIRECTOR): Dulce patria, 1959 (Fernando Balmaceda; collaboration with Fernando García) (lost) La Ciencia universitaria y la industria, 1959 (Juan Morales; collaboration with Fernando García) (lost) MULTIMEDIA/PERFORMANCE: Constellation I, any player, 1969 Arcanos, percussion, 1971 Constellation II, string orchestra, 1971 Mein Gott, mein Gott, warum hast Du mich verlassen (text from the Bible [German translation]), 3 sopranos, 3 altos, 3 tenors, 3 basses, 1971 Meshulash – Triangle, violin, viola, cello, 1971 Acting, orchestra, 1972 Actions for Piano, piano, 1972 An Anna Blume (text by Kurt Schwitters), soprano, alto, baritone, 1972 He engraves signs into the heavenly sphere (text by Gershom Scholem), voice, percussion, 1972 Hommage to Picasso (text by Gertrude Stein), voice, 1972 Verrà la morte (monodrama, text by Cesare Pavese), voice, percussion, 1972 Ballade (text from a source in Tamil), voice, clàrsach (harp from the UK), 1973 Documenta 73, 1973 (its three sections may be performed separately: Signals, 2 pianos; De profundis [text by Carlos de Rokha], voice, tubular bells; Momentum [text from an anonymous source], voice, piano, organ, celesta, 3 percussion) Tetralog, 1972–74 (its four sections may be performed separately: Music for Piano and Winds, piano, winds; Music for Piano and Strings, piano, strings; Music for Piano and Percussion, piano, percussion; Music for Piano and Voice, voice, piano) Eleven Tombstones (texts by Bertolt Brecht, Dylan Thomas, anonymous sources, the Bible), alto, French horn, 2 trumpets, trombone, tuba, percussion, fixed media, 1974 Ritual, percussion, 1974 Dadayamasong (text by Franz Mehring), soprano, any saxophone, piano, percussion, 1975 Three Structures and One Scene (texts from Kabala sources, Gertrude Stein, Kurt Schwitters), mixed chorus, percussion, fixed media, 1975 Aria (text by Ethel Rosenberg), voice, 1976 Chanson (text by Paul Éluard), voice, tam-tam, 1976 Golem (text by the composer), 7 mixed voices, fixed media, 1976 Schatten, 7 violins, 7 cellos, 7 double basses, 7 tubular bells (+ 7 gongs) (1 player), 1976 Annabel Lee (text by Edgar Allan Poe), any voice, fixed media, 1977 Missa Sine Nomine, 1977 (its eleven sections may be performed separately: Bereschít bará elohím et haschamáim weét haáretz [text from the Bible], 2 mixed choruses, percussion, slide projections; Kyrie eleison, mixed chorus, slide projections; Lied [text by George Grosz], speaker, organ, slide projections; Gloria, mixed chorus, 4 gongs [1 player], slide projections; Chile [text by the composer], 20 mixed voices, slide projections; Credo, speaker, mixed chorus, organ, 4 bass drums [1 player], slide projections; Benedictus, 36 mixed voices, 4 suspended cymbals [1 player], slide projections; Ich komme [text by Vladimir Mayakovsky], 36 mixed voices, slide projections; Dona nobis pacem, mixed chorus, slide projections; Babel [text from the Bible], 6 sopranos, 6 altos, 4 tenors, 4 basses, slide projections; Epilog [text from the Bible], speaker, 2 mixed choruses, organ, 4 percussion, slide projections) Sound Poem (text by Hugo Ball), alto, piano, 1977 Trilogy (texts by Paul Éluard, Franz Mehring), tenor, percussion, ensemble, 1977 Palindrom (vocalise), female chorus, 1979 Deutschland, ein Wintermärchen, voice, speaker, mixed chorus, piano, percussion ensemble, 1979 Der schwarze Gott (text by Klabund), female chorus, flute, harp, organ, 1980 Gilgul, piano, 1980 Toccata, percussion, 1983 A man between stones, 4 stones (+ percussion) (1 player), 1987 Five Graphic Works, 1985–90 (its sections may be performed separately: Prelude [vocalise], mixed chorus, piano, organ, harpsichord, celesta; Für Klavier, piano; Motu propio, mixed chorus, percussion; Voices [vocalise], mixed chorus; Choral [text from the Bible], mixed chorus, piano, organ, harpsichord, celesta, percussion) Am Grabs Kafka (text by Franz Kafka), female voice (+ crotales), slide projections, 1997 Greise sind die Sterne geworden – eine moderne Passion (texts by Heinrich Heine, Georg Trakl, Else Lasker-Schüler, Mascha Kaléko, Erich Fried, M. Gaztrum, Novalis, the Bible), soprano, alto, baritone, speaker, mixed chorus, piano, organ, harpsichord, celesta, 3 percussion, 1997 | ||