(b. 23 September 1964, Dessau).
German composer, now resident in both France and Germany, of mostly stage, chamber, vocal, and multimedia works that have been performed in the Americas, Asia and Europe.
Ms. Schlünz studied with Udo Zimmermann at the Hochschule für Musik Carl Maria von Weber in Dresden from 1983–87 and with Paul-Heinz Dittrich at the Universität der Künste Berlin from 1988–91. Later encounters with Iannis Xenakis at the Ferienkurse in Darmstadt and Helmut Lachenmann in Stuttgart were also important.
Among her honours are the Hanns-Eisler-Preis (1990), the Heidelberger Künstlerinnenpreis (1998) and the Preis der Deutschen Schallplattenkritik (1999, for the recording of MOCCOLI). She has also received scholarships to the Ferienkurse in Darmstadt (1990, 1992), the studio for electronic music of the Akademie der Künste Berlin (1994, 2002), the Deutsche Akademie at the Villa Massimo in Rome (1999), the Akademie Schloss Solitude in Stuttgart (2000), the Kulturstiftung Rhein-Neckar-Kreis in Dilsberg (2000), and the Künstlerinnenhof Die Höge (2003), and has held residencies at GRAME in Lyon (2005), the Künstlerhof Schreyahn (2006, 2017) and the Centro tedesco di studi veneziani (2014). She has been a member of the Sächsische Akademie der Künste in Dresden since 2010, the Freie Akademie der Künste in Hamburg since 2011 and the Akademie der Künste in Berlin since 2021.
She is also active in other positions. She has worked at the Dresdner Zentrum für zeitgenössische Musik since 1987 and has worked on intercontinental music projects since 1992. She toured South America in 1996, where she gave concerts and seminars, and visited Denmark, France, Spain, the USA, and Vietnam in 2001, on grants from the Goethe-Institut. She served on the artistic advisory council HEAR in Strasbourg and Mulhouse from 2014–17 and has served on the council of the Musikhochschule Lübeck since 2021. She has served as director of the composition camp of the Impuls Festival in Saxony-Anhalt since 2015.
She taught at the Hochschule für Musik Carl Maria von Weber from 1987–92 and lectured on composition as part of the Brandenburgisches Kolloquium für Neue Musik in 1995. She has taught at the Conservatoire à rayonnement régional de Strasbourg since 2013, where she also organises composition workshops for young composers, and teaches at the Komponistenklasse Dresden.
Her primary publishers are Boosey & Hawkes and Ricordi München, though Breitkopf & Härtel, Peermusic and Schott Music are the publishers of some works.
SELECT LIST OF WORKS (note that the publisher is listed after some works)
STAGE:
Matka oder Du, schöne Unbekannte, aber kommst (chamber opera, libretto by the composer, after Karel Čapek, Ingeborg Bachmann, Friedrich Huch, Arthur Rimbaud), soprano, 2 tenors, 2 baritones, bass-baritone, bass, small orchestra (2 oboes, clarinet, 2 bassoons, 2 trumpets, trombone, harp, 3–5 percussion, 3 violins, 2 violas, 3 cellos, double bass), 1987–88 (Peermusic)
7 für 5 (oder 6), soprano, 3 actors, percussion, 1992
Un jour d'été (music-theatre work for children, text by Pierre Garnier [also German translation by the composer]), 8 children soli, 25 children's voices, small orchestra (12 players), 1996 (Ricordi München)
TagNachtTraumstaub (music-theatre work, texts by the composer, Ulrike Schuster, Matthias Roth), soprano, mezzo-soprano, tenor, baritone, male actor, flute, percussion, small orchestra (flute, clarinet, bass clarinet, bassoon, contrabassoon, trumpet, trombone, tuba, piano, 2 percussion, violin, viola, cello, double bass), sculptures (by Daniel Depoutot), 1999–2000 (Boosey & Hawkes)
LICHTPAUSE (Szenische Kammermusik) (texts by Ulrike Draesner, Charles Pennequin, Christophe Tarkos), soprano, clarinet (+ bass clarinet), trumpet, violin, cello, accordion, percussion, 2 films (by Thierry Aué), 2005 (Ricordi München)
ROSSIGNOL (lecture en scène de la pièce de Stravinsky / opéra en action pour enfants, after Solovey – The Nightingale by Igor Stravinsky, libretto by the composer, Pierre Garnier), sculptures (by Daniel Depoutot), 2007
Robert S. (one scene, Szene Zwickau, in a music-theatre work in 5 scenes about Robert Schumann, libretto by Klaus Angermann), soprano, alto, tenor, baritone, male actor, flute (+ piccolo), oboe (+ English horn), clarinet (+ bass clarinet), bassoon (+ contrabassoon), trombone, piano, 2 percussion, 2 violins, viola, 2 cellos, double bass, 2011 (collaboration with Karola Obermüller, Peter Gilbert, Georg Katzer, Sergej Newski) (Ricordi München)
Leipzig Noir (one scene in a Hörspielprojekt with 4 scenes), female speaker, male speaker, oboe (+ English horn, heckelphone), clarinet (+ soprano saxophone, alto saxophone, baritone saxophone), trumpet, guitar (+ electric guitar, bass guitar), piano, percussion, viola (+ nail violin), 2014 (collaboration with Fabian Russ, Caspar de Gelmini, Moritz Eggert)
Tre volti (Musiktheater mit Monteverdi) (music-theatre work, after Claudio Monteverdi, conceived by Jeremias Schwarzer, text by Ulrike Draesner), soprano, baritone, 4 female voices, female dancer, male dancer, clarinet, trumpet, lute, accordion, percussion, Baroque ensemble, 2016–17
Clara im Rückspiegel (concert installation), soprano, viola, piano, film, 2019
8 Fidelio-Interceptions (revised ending to Fidelio, Op. 72 by Ludwig van Beethoven), female voices, 8 players, 2019
Lisa (Oben) Lisa (Unten) (Live-Hörspiel, text by Ulrike Draesner), soprano, female speaker, violin, cello, organ, 2019
ORCHESTRAL:
Picardie, large orchestra in 5 groups (3 oboes, 2 trumpets, 2 trombones, percussion, 5 violins, 3 violas, 3 cellos, 2 double basses; 2 clarinets, bass clarinet, 2 French horns, percussion; 3 flutes [all + alto flute], trombone, percussion, 6 violins, 2 violas, 2 cellos, 4 double basses; 2 clarinets, bass clarinet, 2 French horns, percussion; 3 bassoons, contrabassoon, 2 trumpets, 2 trombones, percussion, 5 violins, 3 violas, 3 cellos, 2 double basses), 1992 (Boosey & Hawkes)
Fadensonnen, small orchestra (flute, oboe, 2 clarinets [both + bass clarinet], bassoon, French horn, trumpet, trombone, tuba, harp, piano, percussion, 2 violins, viola, cello, double bass), 1993 (Boosey & Hawkes)
doch dir darin, bass clarinet (+ contrabass clarinet), tuba (with an extended range), orchestra (3 flutes, 2 oboes, 4 clarinets, 2 bassoons, 4 French horns, 4 trumpets, 4 trombones, tuba, harp, piano, timpani, 2 percussion, 12 violins, 6 violas, 6 cellos, 6 double basses), 2001 (Ricordi München)
Blaulaub, recorder, koto (zither from Japan), large orchestra (4 flutes, oboe, 3 clarinets, 2 bassoons, 2 French horns, 4 trumpets, 3 trombones, tuba, harp, celesta, 3 percussion, 22 violins, 8 violas, 8 cellos, 4 double basses), live electronics, 2007–08 (Ricordi München)
weithin (in mögliche mitten), orchestra (2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 French horns, 2 trumpets, 2 trombones, tuba, harp, piano, 3 percussion, 18 violins, 6 violas, 4 cellos, 3 double basses), 2009 (Ricordi München)
Spuren)(Suche, small orchestra (flute, 2 oboes, bassoon, 2 French horns, trumpet, 9 violins, 3 violas, 2 cellos, double bass), 2011 (Ricordi München)
de lonh, orchestra (3 oboes, 3 clarinets [3rd + bass clarinet], bassoon, 4 French horns, 2 trumpets, trombone, harp, celesta, 3 percussion, 4 violas, 4 cellos, 4 double basses), 2011 (Ricordi München)
Ne réveillez pas le dragon, youth orchestra (flutes, clarinets, French horns, trumpets, trombones, 1 or more percussion, strings), 2019
Synergies (Konzertstück), accordion, small orchestra (winds, brass, percussion), 2022
CHAMBER MUSIC:
Goldige Zeiten (after paintings by Jörg Sonntag), violin, 1988
Streichtrio – Il pleut doucement sur la ville, violin, viola, cello, 1989
La vie en rouge (für Boris Vian), E-flat clarinet (+ clarinet), piano, 1989
Wenn schon die Flügel zerbrochen sind, violin, ensemble (flute, clarinet [+ bass clarinet], French horn, trumpet, violin, viola, cello, double bass), 1990 (Boosey & Hawkes)
Nachtschwarz wird das Blau (für Karel Čapek), oboe, trombone, viola, cello, double bass, piano, percussion, 1990 (Boosey & Hawkes)
Taubenblaue Schatten haben sich vermischt, flute, guitar, 1990 (Boosey & Hawkes)
Ach, es..., tuba, 1991 (Boosey & Hawkes)
La faulx de l'été, soprano recorder (+ alto recorder, tenor recorder, bass recorder), percussion, 1991 (also version for flute, percussion, 2001) (Boosey & Hawkes)
...der Schatten verwirrte., 3 bassoons, 1992 (Boosey & Hawkes)
Wo das Schweigen anfängt, viola, cello, double bass, 1993 (Boosey & Hawkes)
Unaufhörliche Schlaflosigkeit, tuba, fixed media, 1993–94, revised 1998
Et la pluie se mit à tomber, 6 percussion, 1994 (Boosey & Hawkes)
verhalten, entgleiten, entfalten..., guitar, 1994 (Boosey & Hawkes)
– verstummen –, organ, 3 percussion, 1994 (also versions for organ, percussion, 2004; accordion, percussion, 2007) (Boosey & Hawkes)
Traumkraut, flute (+ alto flute, bass flute), clarinet (+ bass clarinet), violin, viola, cello, double bass, piano, percussion, 1995 (Boosey & Hawkes)
noch ein wor()t, bassoon, French horn, trombone, cello, double bass, 1996
Nuages, 4 percussion, 1996 (Ricordi München)
Sol-Stitium, oboe, clarinet, violin, viola, cello, piano, 1997 (also versions for oboe, clarinet, violin, viola, cello, harpsichord, 1997; alto flute, clarinet, violin, viola, cello, piano, 1999) (Boosey & Hawkes)
How it is, clarinet, 2 violins, viola, cello, 1997 (Boosey & Hawkes)
Æqui-Noctium, oboe, bassoon, trumpet, trombone, viola, double bass, piano, percussion, 1998 (Boosey & Hawkes)
Voicelessness, flute (+ bass flute), clarinet (+ bass clarinet), guitar, percussion, 1998 (Boosey & Hawkes)
schau(m)ich, cello, 2000 (Boosey & Hawkes)
Weiter, flute (+ alto flute), clarinet, piano, 2000 (Boosey & Hawkes)
aufgelöst (verschlungen), flute, clarinet, violin, cello, piano, 2000 (also version for clarinet, trumpet, violin, cello, piano, 2001) (Boosey & Hawkes)
tastend, tränend (pedagogical piece), flute, piano, 2001 (Schott Music)
Hortensien, bass clarinet, fixed media (4 tracks), 2002 (Boosey & Hawkes)
weiter fliegen, flute, oboe, bassoon, 2004 (Boosey & Hawkes)
Weisse Stellen (pedagogical piece), flute, clarinet, viola, cello, percussion, 2004 (Boosey & Hawkes)
ZEBRA, electric violin, fixed media (4 tracks), live electronics, 2004 (Ricordi München)
ein weiteres wor()t, bass clarinet, piano, 2004
Dehors, bass flute, bass clarinet, percussion, 2005 (Boosey & Hawkes)
in den flüssen, clarinet, cello, accordion, 2005 (Boosey & Hawkes)
high tide, clarinet (+ bass clarinet), double bass, accordion, live electronics, 2005 (Ricordi München)
light from the one, recorders (1 player), 17-string koto, 2006 (Ricordi München)
Les créatures, recorders (1 player), flutes (1 player), double bass, percussion, 2006 (Ricordi München)
Deux créatures, recorders (1 player), flutes (1 player), 2006 (Ricordi München)
Raum Wirbel (pedagogical piece), accordion, 2 violins, viola, cello, 2006 (Ricordi München)
Journal nº2 (Schneeland), accordion, 2006–07 (Ricordi München)
Éventail (pedagogical piece), 5 accordions, 2008 (Ricordi München)
The snow has no voice, flute, oboe, clarinet, 2 violins, cello, percussion, 2008 (Ricordi München)
there is no time to ask, string quartet, 2008 (Ricordi München)
high tide – wende und wende zeit (texts by Hannelore Becker, Arthur Rimbaud, Matthias Roth), clarinet (+ bass clarinet), accordion, double bass, live electronics, 2005–09 (Ricordi München)
mit einem schritt die schritte, flute, guitar, violin, piano, accordion, 2009 (Ricordi München)
C'est d'abord la lumière, trumpet, violin, 2010 (Ricordi München)
Bonbons, de préférence des verts (pedagogical piece), violin, 2010 (Ricordi München)
Blick!Los!, flute, 2 clarinets, piano, celesta, 2 percussion, 2011 (Ricordi München)
Copeaux, éclisses (pedagogical piece), oboe, clarinet (+ bass clarinet), trumpet, cello, live electronics, 2011 (Ricordi München)
Journal n°6 (Kraniche), accordion, 2011 (Ricordi München)
Venezianische Gärten (puzzle, pedagogical piece), 1–4 accordions, ensemble (clarinet, trombone, violin, cello), 2014–15
Jardins vénitiens 2 (Labyrinthe 1–3) (pedagogical piece), accordion, duo (soprano saxophone, accordion), trio (clarinet, alto saxophone, accordion), 2015
Le cahier de cordes (14 Stücke) (pedagogical pieces), violin, cello, duo (2 violins), trio (2 violins, viola), sextet (6 violins), 3 string quartets, 2013–16
Le vertige du mouvement, A-clarinet, accordion, 2018
Echoes and reflections, bass flute, bass clarinet, 2018
Erdacht, alto flute, tenor saxophone, piano, 2019
Es war Nacht und kein Schlaf, bass flute, piano, percussion, 2020
L'ivresse du mouvement, flute (+ piccolo, bass flute), clarinet (+ bass clarinet), cello, accordion, percussion, 2021
Nuit blanche, flute (+ piccolo, bass flute), oboe, clarinet (+ bass clarinet), piano, accordion, percussion, 2 violins, viola, cello, double bass, 2022
Roses and tears (player also speaks a text by Louise Schlünz), tombak (goblet drum from Iran), 2022
CHORAL:
Über die Hügel wuchert der Ginster, baritone, mixed chorus, small orchestra/orchestra (2 flutes, 2 oboes, French horn, 2 trumpets, 2 trombones, tuba, percussion, strings), 1985 (Breitkopf & Härtel)
Ornithopoesie (text by Pierre Garnier), 12 mixed voices, 1989 (Ricordi München)
Zarte Knöpfe (texts by Matthias Roth, Pierre Garnier), female chorus, 1997 (Boosey & Hawkes)
l'air est une pomme (text by Pierre Garnier), countertenor, tenor, baritone, accordion, 2012 (Ricordi München)
Was die Liebe sehnend begehrt (texts by Sappho, the composer), soprano, 5 male voices, 2 cornetts, theorbo, viola da gamba, 2018–20
tschang wie torkel (text by Ulrike Draesner), 4 female voices, 2020
knallgelbe forsythien (text by Ulrike Draesner), soprano, mezzo-soprano, alto, 2021
VOCAL:
Bei Spuren von Wasser und Salz, mezzo-soprano, clarinet, French horn, trumpet, trombone, harp, celesta, percussion, violin, viola, cello, double bass, 1987 (Ricordi München)
Rosen (Gesangsszenen) (text by Ingeborg Bachmann), mezzo-soprano, piano (+ synthesizer ad libitum), 1988 (Boosey & Hawkes)
Klage (text by Urszula Kozioł [translated by Christiane Grosz]), speaker, clarinet (+ bass clarinet), bassoon, French horn, 2 violins, viola, cello, double bass, 1991 (Boosey & Hawkes)
Tout est rêver (texts by Friedrich Huch, Pierre Garnier), soprano, clarinet (+ bass clarinet), percussion, 1992 (Boosey & Hawkes)
Der Ausflug (text by Wilhelm Müller), female speaker, piano, percussion, 1993 (Ricordi München)
Nichts Schöneres mehr (text by Amanda Aizpuriete), soprano, soprano saxophone, synthesizer, 1994
Die Antirose (texts by Claire Goll, Yvan Goll), soprano, violin, piano, 1995 (Boosey & Hawkes)
ein wor()t (text from an anonymous source), speaker, flute, guitar, violin, 1996
Man könnte bleiben (texts by William Shakespeare, Jeanette Winterson), soprano, male speaker, piano, 1997
brust, brut (text by Ulrike Draesner), baritone, piano, 1998 (Ricordi München)
Gleißend (text by Ulrike Schuster), mezzo-soprano, percussion, 1998 (Ricordi München)
Moccoli (text by Johann Wolfgang von Goethe, arranged by the composer, Ulrike Draesner), soprano, clarinet (+ bass clarinet), cello, 1999 (Boosey & Hawkes)
ARIANNA II (texts by Ulrike Schuster, anonymous sources), soprano, 2 Baroque violins, Baroque cello, harpsichord, 1999 (Boosey & Hawkes)
Gewaltsame Kunde – Gibbongesänge (text by Ulrike Schuster), voice, fixed media, 2001
Abendamsel (text by Undine Gruenter), countertenor, bass flute, oboe, clarinet, tenor saxophone, bassoon, trumpet, viola, cello, double bass, 2 percussion, 2002 (Boosey & Hawkes)
glas im bauch (texts by Ulrike Draesner, Pierre Garnier), soprano, flute, oboe, clarinet, French horn, bassoon, 2004 (Boosey & Hawkes)
Stern ist wie etwas Schneegeläut (Dreigesang) (texts by Ulrike Schuster, Pierre Garnier, various Dreigesänge), soprano, mezzo-soprano, zither, 2007
stern (text by Ulrike Draesner), soprano, tuba, 2009 (Ricordi München)
Fragen (text by Bertolt Brecht), baritone, piano, 2013 (Ricordi München)
9 Gesänge (texts by Ulrike Draesner, Ulrike Schuster, Hannelore Becker), countertenor, shawm, accordion, 2013 (also version for mezzo-soprano, shawm, accordion, 2019) (Ricordi München)
Welch Licht, kein Schatten (text by Ulrike Schuster), male speaker, orchestra (2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 French horns, 2 trumpets, 2 trombones, tuba, 3 percussion, 14 violins, 4 violas, 4 cellos, 2 double basses), 2015 (Ricordi München)
Einsamkeits-Variationen (texts by Arthur Schnitzler, Ulrike Schuster), mezzo-soprano, piano, 2018
La blancheur abolit le temps (text by Paul Willems), baritone, oboe, clarinet (+ bass clarinet), trumpet, piano, accordion, percussion, violin, viola, cello, 2018
Aber die Liebe (texts by Friedrich Hölderlin, Undine Gruenter), soprano, viola, double bass, piano, 2020
Der Mönch von Salzburg (text by the Monk of Salzburg), mezzo-soprano (+ portative organ), recorders (1 player), drone violin, percussion (+ hurdy-gurdy), 2020
Herbstgesang St. John's Gardens (text by Ulrike Draesner), soprano, viola, percussion, loops, 2021
PIANO:
verschattet –, 1991 (Boosey & Hawkes)
Journal nº5 (Warten), 2011 (Ricordi München)
MULTIMEDIA:
Ich sehe den Traum des Wassers, Musikalische Aktion (text by Pierre Garnier), 2 voices, recorders (1 player), percussion, sculptures (by Daniel Depoutot), 1995
Ultime tentative I–III (texts by Christophe Tarkos, Ulrike Schuster), soprano, mezzo-soprano, recorders (1 player), sculptures (by Daniel Depoutot), 1998–99
couloir solitude, fixed media, room installation (by Thierry Aué), 2000
das – das – das andere ufer: Fährenmusik – Musik zum Übersetzen (text by Ulrike Draesner), 2 sopranos, trumpet, trombone, 2 tubas, 3 percussion, room installation (by Thierry Aué), 2001
auch ameisen wären gern vögel (music for industrial terrain, texts by Ulrike Draesner, Ulrike Schuster, Johann Wolfgang von Goethe, descriptions of machines), soprano, 87 mixed voices (+ scenic actions), bass clarinet, accordion, 2 percussion, underwater sound installation, 2002
dans l'épaisseur d'un murmure anonyme, fixed media, film installation (by Karine Vonna), 2002 (also version with bass clarinet, accordion, percussion as quelle also, 2003 [also version for bass guitar, accordion, percussion, 2006])
fliegen fliegen?, flute (+ bass flute), oboe, clarinet, film (by Thierry Aué), 2003 (Boosey & Hawkes)
Another happy prince, alto zither (+ bass zither), accordion, film (by Thierry Aué), 2003 (Ricordi München)
Ultime tentative Nº 4 (graphic score), any number of players, 2004
Journal nº1, tenor recorder (+ soprano recorder, sopranino recorder, tenor recorder, bass recorder), film, 2004–05 (Ricordi München)
yellow city (action sonore), 2007 (collaboration with the artist Dominique Kippelen)
What a dangerous disease (player also speaks a text by Mary, a 17-year-old from South Sudan), tombak, film, 2021
ARRANGEMENT:
Fließend (6 Bagatellen, Op. 9 by Anton Webern), flute (+ piccolo), oboe, clarinet (+ bass clarinet), alto saxophone, bassoon, French horn, trombone, accordion, percussion, 2022
DISCOGRAPHY
Klage. Daniel Morgenroth, speaker; Friedrich Goldmann/Scharoun Ensemble Berlin (Aurophon/DZzM, 1992)
verhalten, entgleiten, entfalten.... Reinbert Evers, guitar (Sächsische Tonträger/DZzM, 1994)
Ach, es.... Michael Vogt, tuba (RéR, 1994)
Streichtrio – Il pleut doucement sur la ville (movement 1, movement 2). Monika Hölszky-Wiedemann, violin; Petrus Mederus, viola; Hertha Rosa-Herseni, cello (Komponistinnen in Deutschland [book with CD], Inter-Nationes, 1996)
Traumkraut; Tout est rêver; Fadensonnen; Taubenblaue Schatten haben sich vermischt; Ornithopoesie; Et la pluie se mit à tomber. Georg Mertens, flute; Volker Höh, guitar; Accroche Note; Les Percussions de Strasbourg; Roland Kluttig/Thürmchen Ensemble; Klaus Bernbacher/Kammerensemble pro musica nova Bremen; Roland Hayrabedian/Musicatreize (Deutscher Musikrat/WERGO: WER 6539 2, 1998)
Zarte Knöpfe. Michael Gläser/female voices of the Chor des Bayerischen Rundfunks (Deutscher Musikrat: 5. Deutscher Chorwettbewerb, 1998 [reissued as BMG/RCA])
La faulx de l'été (original version). Katja Reiser, soprano recorder, alto recorder, tenor recorder, bass recorder; Tan Kutay, percussion (Carpe Diem: 16256, 1999)
Moccoli. Carola Schlüter, soprano; Ensemble Phorminx (EMI Classics: 8 26189 2, 1999)
Unaufhörliche Schlaflosigkeit (revised version). Michael Vogt, tuba (Deutsche Akademie Villa Massimo, 1999)
Abendamsel. Kai Wessel, countertenor; Ensemble Aventure (Sächsische Tonträger/DZzM, 2003)
aufgelöst (verschlungen) (second version). Ensemble Aleph (CDMC/Ensemble Aleph, 2003)
quelle also. oh ton-Ensemble (Radio Bremen/Künstlerinnenhof Die Höge, 2003)
Wo das Schweigen anfängt. Trio Basso (BMG/RCA, 2005)
La faulx de l'été (second version). Carin Levine, flute; Stefan Blum, percussion (Musicaphon, 2006)
Journal nº1. Jeremias Schwarzer, soprano recorder, sopranino recorder, 2 tenor recorders, bass recorder (Valve Records: 5086, 2006)
Zarte Knöpfe. Michael Gläser/female voices of the Chor des Bayerischen Rundfunks (BMG/RCA, 2008 [reissue of Deutscher Musikrat: 5. Deutscher Chorwettbewerb])
– verstummen – (second version). Zsigmond Szathmáry, organ; Olaf Tzschoppe, percussion (Edition Zeitklang, 2008)
ZEBRA. Lenka Župková, electric violin (WERGO, 2008)
Deux créatures. Dörte Nienstedt, recorders; Anne Horstmann, flutes (NRW-Vertrieb, 2008)
Man könnte bleiben. Carola Schlüter, soprano; Reinhard Weihmann, speaker; Andreas Sorg, piano (Cadenza/Bayer Records, 2011)
tastend, tränend. Elisabeth Weinzierl, flute; Eva Schieferstein, piano (Thorofon, 2011)
light from the one. Jeremias Schwarzer, recorders; Makiko Goto, 17-string koto (NEOS, 2011)
Journal nº2 (Schneeland). Margit Kern, accordion (Genuin, 2012)
de lonh. Evan Christ/Philharmonisches Orchester des Staatstheaters Cottbus (Telos Music, 2012)
Journal nº2 (Schneeland). Vincent Lhermet, accordion (Édition du Conservatoire de Paris, 2014)
9 Gesänge (original version). Kai Wessel, countertenor; Katharina Bäuml, shawm; Margit Kern, accordion (Genuin, 2014)
La blancheur abolit le temps. Dietrich Henschel, baritone; Vladimir Jurowski/ensemble unitedberlin (FARAO classics: B 108106, 2019)